Queenmaker (2023)

Sisterhood in a man´s world. Let yourself get both annoyed & inspired by politics behind the scenes

What a wonderful power show inside out politics. Yes, it's ugly and you might want to smash right into it. Often enough and plentifully. But it also has its heart in the right place. Repeatedly. Dealing with politics may make you doubt the meaning and purpose of democracy. But it doesn't get any better without those intrepid heroes willing to stand up for a better world. One may sometimes lose faith in something like a democratic gene in people. But one can always hope and fear. The game is only over when it is over. The election is not over until the votes have all been counted.

Stupendous women. On both sides of the front. And the men? Oh well. So and so. (And if many people complain about Lee Geung-young because of his scandal, he at least prefers to choose the role of the challenging guy, where one can wholeheartedly consider him disgusting...)

Well, I consider the sisterhood thing being the crucial message for me in this story. Yes, there are strong, competent women, who, against better female instincts, cling to old structures and customs - in the wake of the Jaebeol clan. Yet there are those competent, motivated, witty, loyal to higher ideals women, too, who are sharing those ideals with others and walking side by side. Even if tempted and seduced they still sense what is right and wrong and act on that when in doubt. Using and abusing (interchangeable lackeys) for personal gain vs. appreciation and recognition (of brothers and sisters) are very sensitively compared here as common HR strategies and management styles.

With 11 episodes (only), Netflix slips through the story fairly quickly - only the most necessary input about the protagonists are given. However, especially the actresses don't let the story rush past you. Kudos to (in this case in particular) the heart and soul of the Ahjummas and a storytelling that, while strikingly handling the political landscape for its stringency, nevertheless spreads the complex mixture of motives, hopes and fears in a well-sorted manner.

Does the end justify the means? This age-old question apparently never ages. "Queenmaker" makes you think, but also often leaves you terribly annoyed about the way things are. The KDrama makes you angry, demoralizes, and yet: at the same time it gives hope. Strong women, a strong story, an often enough an ugly world in which, however, once again each individual contributes to the fact that it could be one way or another...

Obviously I would recommend it - if you´re in the mood for something like that. And: obviously there are no Idols and no Love Story involved. People may die, but it is no crime story. It isn´t funny, either. Nevertheless, I would say, you should check it out and let yourself get both annoyed and inspired by politics behind the scenes.

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Sometimes Justice Comes At The End Of A Fearless Woman’s 6 inch, Red Bottomed High Heel

Queenmaker is a story of two ferocious women on a quest for justice wielding power politics and pantsuits in their own unique ways.

It is a tale of a powerful friendship formed between a ruthless corporate strategist on a path to redemption and an idealistic lawyer who believes in doing good at all costs- together they are phenomenal and a force to be reckoned with.

I am going to be honest, Queenmaker started off slow and tacky for me. Essentially, its premise is one we have seen many times before.

You know, the whole evil Chaebol family VS righteous underdog story that has been done 110 times in every other k drama. In the beginning, it felt dry and over the top like these dramas usually are and even a bit unrealistic.

However, soon enough it built up momentum and succeeded in hooking me in enough that I was easily able to ignore all of these flaws. I have to admit a lot of it had to do with Kim Hee Ae and her glorious power walks, short boss lady hair and the excellent OST that hyped up most of her scenes.

The drama is filled with veteran actors and the acting is spectacular across the board with the two women in the forefront stealing the spotlight.

Kim Hee Ae, 3 time Daesang winner comes through with her badass character out for revenge and justice. Nobody portrays a mix of ferocity and vulnerability quite like her. Her chemistry with Moon So Ri, who holds her own is great on screen and gives birth to one of T.V’s best sismances.

As far as the plot goes, I do think that the viciousness of politics is done quite well. While a bit dry and redundant at first, it gets more riveting as the stakes are raised and the battle of wits between our good guys and the wicked skyrockets.

It’s also nice to see how balanced the two sides are. Our protagonists face real problems and setbacks which makes the victory all the more well-earned and sweet.

The antagonists are also entertaining to watch on screen and despite their overall horridness, the writer tried to give each of them some well needed layers and substance so they weren’t just evil for the sake of being evil.

The fashion, style and music in the show are top notch with some crisp cinematography. The character development is fantastic. So much so, that at the end of the show both our leading ladies have seen significant growth in character.
Overall, the drama feels much longer than 11 episodes and while it does make use of the usual plot devices like “the deadliest of exposers aka tape recorder”, the writing is, on the whole, pretty sound.

This show is undeniably a show about women, with women and for women. However, what I really like about it is that it gives some pretty strong messages about what it’s really like for a woman to rise in power in a man’s world without being preachy or in your face about it.

The drama is definitely a big bowl of feminist soul fuel that touches on the possibility of what could happen if strong women start to back up other strong women.

Definitely worth a watch and 100% Jeana Approved.

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