Kan Bu Jian Ying Zi De Shao Nian (2024)

Lost and Found.

Set in the 1990s, this is a riveting suspense thriller about three teenage boys who go missing on a dark and stormy night. Three years later, Xiao Qi, a pick-pocket is caught and identified as one of the missing boys. He is reunited with his grateful family but he does not seem quite the same and claims to have little memory of what transpired three years ago. This revives the investigation of the old case, with Wang Shitu leading the investigation. His investigation shines a spotlight on human trafficking rings. His search is painful and personal as his son has been lost for more than a decade. As the investigation advances, he gets to know Xiao Qi and the Jin family and more questions emerge as to what really happened that fateful night.

This drama does a terrific job building suspense, planting the seeds of many credible explanations with each frightening new reveal. Mystery buffs will enjoy trying sorting through all the lies to pull all the pieces together. The first villain's confession however was not convincingly obtained and that case is too hastily tied up to focus on the final villain. There are too many confessions obtained using this same threat of shaky evidence against a loved one. Even though a shadowy image of the main villain and what must have happened emerges early on, the cat and mouse of pinning them down is riveting. This is one of the most layered, selfish, manipulative and just plain evil sociopaths I have seen in a long time. What is truly scary is their motive is vile but understandable; that this is easily something someone, anyone is capable of doing simply because they want what they want badly enough. The final solution however is somewhat anti-climatic; there are many more interesting ways this could have played out. There are also a fair number of plot holes and loose ends.

The strongest and most moving aspect of this narrative is not the mystery but the relationships that evolve around it. The mother and the father who lost a child and the unimaginable and continuing pain that they endure. And the lonely boy that was lost and found, and how through all this mess they somehow manage to heal a small part of each other. With this kind of cast, I don't have to praise the acting. Zhang Songwen and Rong Zishan's chemistry is well established and as expected, they deliver in spades and make me root for them every step of the way. But the most surprising and distressing performance is Guo Keyu's portrayal of Bian Meizhen's confused longing for her lost child and her devastating moments of awareness.

Overall, the mystery plot is good but does not live up to its early promise and is not as tight as could be. But the character arcs are superbly done and the ending is perfect and brilliant in the most realistic of ways. This is a highly recommended 8.5/10.0.






ENDING SPOILER COMMENTS





Doudou was a red herring from the start and considering the theme of this story is lost children, it is no surprise that there is no fairytale ending. Nonetheless, Wang Shitu does not give up and continues to look. This kind of story is not easy to write or to end in a way that acknowledges and respects the suffering of victims of child trafficking. Jin Manfu is the manifestation of what must be every parent with a lost child's worst nightmare. But this story also reminds us that there are Wang Shitus and Bian Meizhens in this world who can still open a corner of their hearts. And that maybe they can also find some solace by opening a small part of their hearts. The only small bone the drama throws the audience is Doudou probably ended up in a family with a dog and where he is much loved and may one day still be found.








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Leia Mais

A beautiful and tragic story about parents and children

Lost in The Shadows is an exciting thriller, full of mysteries and hooks that holds the viewer's attention. But beyond the crimes, it is a story with many feelings, mainly the very strong pain of parents looking for their missing children.

Rong Zi Shan has been exceptional in her role since the first episode. The way Xiao Qi connects with Meizhen and Wang Shitu is beautiful, he becomes a real son to them, he is not just filling a hole in their hearts.

Zhang Song Wen is also perfect in his role as police officer Wang, he made me cry a few times. His search for his son Doudou is painful to watch until the last episode, and I believe it will continue to hurt my memory.

The direction is very good, it doesn't let the story lose its pace, all the episodes have a lot of emotion. The construction of the flashbacks is charming, the use of colors is very good. Great song choices that go well with the story and scenes, Chinese dramas always make good use of the soundtrack. The script brings many plot twists, makes us create theories and bite our nails with anxiety. Bian Jie's story changed several times, I almost freaked out wanting to know the truth straight away. It's been a while since I've been so excited about a drama like this.

I gave the story a score of 9 instead of 10 because I felt that some characters were left behind in the story, without as much involvement as they seemed to have. I think the child cast could have been used more and Xiao Qi's past explored more. But these are just details that do not detract from the work as a whole, which is magnificent.

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Too Buggy to Swallow

‒Overview‒

Lost in the Shadows is a crime/suspense drama featuring quality production and acting that one has come to love about the iQiyi's 'Light On' series and similar lineups of crime thrillers from Youku and Tencent. However, despite featuring one of the best actors in Zhang Songwen and an interesting setup about missing children, the buggy script became increasingly untenable, just like the lies told by criminals.

On the positive side, the aforementioned production, acting, and pacing from short episode count is a major upgrade from idol dramas. The show also features a reunion of The Bad Kids stars in Zhang Songwen and Rong Zishan. There's also enough twists and turns to create interest, so long as it's not examined closely. And unfortunately for Zhang Songwen, this is probably his best drama since his career-defining performance in The Knockout, besting other mediocrities like 'A Lonely Hero's Journey' and 'The Hunter'. Let's stop wasting this man's career.

‒Critical Review (spoilers)‒

LITS became increasingly frustrating because of the increasing amount of bugs and lack of nourishment to sustain interest. Bugs is a popular and catchy Chinglish term commonly used in China to refer to plot holes. The expression was likely born out of wordplay related to software programmers, as they often have to wrangle with buggy scripts. LITS suffered from bugs ranging from small to huge, and most critically, it didn't deliver enough sustenance to make the bugs more palatable. It's like walking into a restaurant where each dish contains increasingly bigger bugs, then some artificial tasting dish that you suspect is just to cover up the bug flavor, but never the delicious course that will mollify your insect encounters (yes if the food is delicious enough, Chinese people will delulu themselves over the questionable sanitation, and even not fret too much about a bug or two).

For appetizers, let's start with the small bugs, which are more prevalent than usual. These consist of convenient occurrences and puzzling oversight that nonetheless are not the core of the story. Most shows have some of those, and I can easily overlook them if the story is engaging and the major plot lines does not revolve around it. Some examples include: people bumping into people or overhearing conversation at the most opportune time, people out and about doing things undetected especially if they are under surveillance, people divulging way too much info at convenient times, and the good guys showing up just in time to save people. There are too many to list the specific examples. *No problem, all restaurants have some bugs, some just hide it better than others.

Now for the main course‒big glaring bugs that really arouses your gag reflex, the types of bugs that significantly degrade the viewing experience. First are the big bugs of characterization. Bian Jie (Xiao Qi) is the most important character in the story, yet often times he's as hollow as a plot tool (工具人). Other than a few flashbacks, XQ's first 18 years is essentially empty. And it's difficult to construct a coherent character for XQ that satisfies his life experiences and his actions and emotions as the fake son of the Bian family. If he's so sweet and innocent as portrayed, how does he survive all those years under human trafficker Uncle Qing. Moreover, he should have exhibited much greater and different emotional reaction once taken in. Other characters, including other members of the Bian family, exhibit similar incongruencies.

The second major bug is the bug of nonsensical decision making on key plot points. It makes no sense for XQ to stay to protect his fake Mom from JMF, when he already thinks JMF might try to kill him, when he should go to the police. Neither is making it a priority to take down Uncle Qing, when he just escaped as a fugitive, and only for it to go nowhere. Or the numerous other similar plot sins committed by him and other characters. The police not directly tracking down Uncle Qing's gang to prove XQ's innocence, but having it occur incidentally. Yanzi thinking her younger bro could be alive even though he 'ran away' from Dad despite collapsing in a pool of blood of a hole to the back of his head, and returning without remembering any details. The boys going murderous over shower pics. The ridiculous ways Jin Manfu went about the murder, coverups, kidnapping, blackmail, and trying to rescue Yanzi. The story was already a hazmat level roach infestation even before the bug-out finale that was a fetid corpse of cop-out, fake-out, and proper-ganda. *Seems like you vomited quite a bit, did you at least have something nutritious to puke out?

Unfortunately no. While the acting, production, and faint hint of something promising kept me engaged for half of the show, the later episodes became an increasingly frustrating 3X watch as it became apparent the script was beyond saving. But even before the show turned rancid, I was experiencing a glaring disconnect with the characters. The problem was the show didn't give you anyone fully fleshed out, didn't show you why their relationships were so important, and didn't give you anyone to fully care about. All the main characters were hollow shells barely held together by scarce flashbacks, and summarizing instead of showing. At the same time, you are fed plenty of clues to potentially doubt the story and sincerity of all the characters, ensuring full-on social distancing. When some more flashbacks are shown in the later parts of the story, it was way too little, and way too late. The way you are supposed to do it is to build up the characters first, make the protagonists/villains sympathetic, and then create compelling twists by subverting or overturning expectations. 'Interlaced Scenes' and 'The First Shot' are dramas where it's much better executed Since LITS never established the characters before playing around with them, all their motivations felt hollow and perfunctory, making all the aforementioned bugs even more intolerable.

So the good parts amounted to a cryptic restaurant advertisement for alternative organic delicacies, that turned out to be plates of bugs. At least it was a quick meal 🙂. Overall I rate it a 6, because at least it has good acting and production unlike idol drama triple threats. It started out an 8 before I figured out the mystery dish had bugs, then held at 7 for about half the show. Then the later episodes were a 6. That's not taking into account the ending, as I was already fully passed out from all the puking.

--Category Ratings--

- Overall - 6
- Plot - 5.5
- Theme / Concept / Impact - 7.5
- Acting - 8.5
- Visuals - 8
- Audio / Music - 7.5 (mostly live recording)
- Rewatch - 5
- Accessibility - 7.5
- Subtitle quality - 8.5

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The drama did not do a good job of luring me in to the story. I am dropping it.

Lost in the Shadows is a light-in-series crime drama set in the 1990s. A young kid goes missing, and the detective/father is trying to find his son and solve the case. I watched four episodes of it, and the acting may be decent, but the suspense did not lure me.

I found it too draggy, so I am dropping it.

Synopsis: In the 1990s, a small county town called Zhaoyang witnessed a teenager's mysterious pursuit and uncertain fate on a night of thunder and lightning. Two other boys who disappeared with him also vanished without a trace. Three years later, one of the boys reemerged as a "little pickpocket," pretending to have lost his memory and returned to his family. Behind the successful recognition, is it a reunion or a continuation of a mistake? Surprisingly, the seemingly reunited family still harbors secrets and threats. An old police officer conducts a covert investigation. After a cat-and-mouse chase, clues about the whereabouts of the other two missing boys begin to emerge. The truths behind multiple disappearances, human trafficking, manslaughter, and murder cases gradually come to light. As the mystery unravels, the old police officer and the "missing boy" achieve mutual redemption, wrapping this suspenseful narrative into a story about family ties.

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