As Nove Camadas de Púrpura (2024)

PERFEITO, SALVOU MEU ANO

Depois de ano onde eu quase todos os dramas chineses que eu vi terminam PÉSSIMOS, esse querido salvou meu ano com NOTA 10, entendo e até concordo em partes com as críticas mais aprofundadas sobre ele que estão por aqui, mas acho que na experiência geral de satisfação ao assitir, ele entregou tudo e mais um pouco, foi divertido, bonito, romântico e emocionante ao máximo, eu amei todos os personagens, até os que eu odiei, tirando a madastra dela, claro, essa parte sempre entediante.
Recomendo demais e assistirei de novo qualquer dia pq vale a pena MUITOOOO. Feliz ano e que mais dramas assim venham por aí!!

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Drama de excelente execução do início ao fim!

Aqui está um drama chinês que, do início ao fim, mostrou-se responsável e inegavelmente comprometido com o entretenimento. A protagonista feminina, Dou Zhao, foi inteligente, sagaz e poderosa durante toda a narrativa—nada daquela decadência que vimos em Kill Me Love Me, onde a protagonista começa promissora e, no meio do caminho, torna-se totalmente sem graça. Zhao, por outro lado, foi impecável. Suas ações e decisões mantiveram o interesse genuíno na história, pelo menos para mim. Já o protagonista masculino, Song Mo, também esteve à altura, e as cenas de romance e apoio mútuo entre os dois foram incrivelmente naturais e convincentes.

O meu personagem favorito, no entanto, foi Ji Yong, o estrategista e controlador de toda a trama. Desde os primeiros episódios, eu acreditei nele. Ficava claro que ele tinha um plano, mesmo que exigisse sacrifícios, e que tudo era feito com o propósito de proteger sua amiga e alma gêmea, Dou Zhao. Sua lealdade inabalável e a forma calculada como conduziu os eventos elevaram cada reviravolta do enredo.

E aí veio a cena pós-créditos. Ficou uma brecha para uma continuação? Ou seria um final mais subliminar e sugestivo? Difícil dizer, mas, de qualquer forma, foi algo que ficou na cabeça, fechando de forma memorável um drama que não perdeu o fôlego em momento algum.

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Um dos melhores doramas de 2024, com toda certeza.

Blossom (九重紫) estreou em dezembro de 2024 e, na minha opinião, foi uma das melhores surpresas do ano. Esta é uma adaptação do romance "Nine Layers of Purple" (Jiu Chong Zi), escrito por Zhi Zhi, que nos transporta para um império em meio a um profundo caos, resultado de intensas lutas pelo poder e anseios de vingança. O drama gira em torno do general Song Mo, um homem habilidoso, mas impulsivo, consumido por um desejo avassalador de vingar a morte de seu tio, o general do exército Jiang Mei Sun. Após essa tragédia, ele embarca em uma investigação para desvendar os mistérios que cercam sua família, mas acaba se envolvendo com as pessoas erradas, sendo considerado um traidor. Para agravar sua situação, ele é envenenado, o que limita seu tempo de vida. Paralelamente, somos apresentados a Dou Zhao, uma jovem que viveu sob os costumes rigorosos de sua época. Casada e com a saúde fragilizada, ela gerencia, com habilidade, todas as responsabilidades da casa de seu marido, o marquês Wei Ting Yu, em meio a essa crise imperial. Entretanto, em um dia fatídico, ela descobre que seu marido a trai com sua meia-irmã, Dou Ming. Diante desse cenário, decide romper com seu papel de esposa do marquês e parte em sua carruagem para sua cidade natal, determinada a denunciar o escândalo familiar às autoridades locais. É nesse momento que os destinos de Song Mo e Dou Zhao se cruzam. Ele a salva de um incidente, mas esse encontro os leva a um trágico destino: ambos morrem em uma armadilha, atingidos simultaneamente por uma flecha. Antes de sucumbir, Dou Zhao revive alguns momentos de sua vida, sentindo um profundo arrependimento por nunca ter feito escolhas por si mesma. Nesse instante, ela recebe uma nova oportunidade e volta ao passado, quando ainda era uma criança, trazendo consigo todas as memórias de sua vida anterior. Com base nisso, a história se desenrola, revelando que, mesmo voltando ao passado, certos eventos da vida anterior permanecem imutáveis. No entanto, aprendemos que, com paciência, estratégia, inteligência e amor, é possível mudar o curso de uma narrativa inteira. Song Mo e Dou Zhao personificaram essa realidade ao demonstrar que, apesar de enfrentarem suas próprias dificuldades e angústias, conseguiram unir forças em prol de um objetivo maior. Juntos, mesmo diante das armadilhas e tramas dos inimigos, conseguiram reverter a situação, provando que a colaboração e o amor podem superar qualquer obstáculo.

ALTAMENTE RECOMENDADO.

Pontos positivos:

1. O enredo é simplesmente emocionante. Cada episódio nos instiga a continuar, sem pontas soltas ou eventos desnecessários.
2. As atuações do elenco foram excelentes. É tão bom ver o ator Li Yun Rui recebendo um papel que o valorizou. Ele merecia um protagonista com a personalidade do Song Mo, para nos mostrar o qual versátil ele é como ator.
3. Os cenários são belíssimos, com a presença de um figurino repleto de detalhes.
4. A química entre Li Yun Rui e Meng Zi Yi foi simplesmente perfeito, os atores conseguiram expressar ricamente os sentimentos dos seus personagens.

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BEST 2024 costume drama!

So Satisfying all the way through!!!!

Li Yun Rui & Meng Zi Yi Underrated for YEARS finally gets their big break!

Li Yun Rui - Always the supporting role. He was ML3 in Love like Galaxy. Supporting characters in many.
Meng Zi Yi - I always thought she looks goddess like and can act well enough for idol dramas, yet she never gets roles like Dilraba.
The pairing imo is fantastic. Both tall and beautiful, chemistry brewing.

The plot is NOTHING special as it's about 2nd chance in life trying to change fate. But unlike the ###s drams before, this is done right with a powerful 1st episode. On a cold snowy night, enters ML w/ silver hair saving the FL from a crashing carriage. Their eyes meet and the scene gives off that that same "A Familiar Stranger" vibe. (Same Director). Ep ends with them falling through the shattered glass into the abyss. Then time freezes as she slowly floats back up passing ML signals the reverse in timeline. The visuals are incredible, the best 1st episode ever! Can other directors just learn from this one?

The next 5 episodes ML/FL hardly have any interactions as they are building up the storyline. Ep 8 on the chemistry is on fire! Of course, if you are impatient and just want the leads face smooching then stick with your short dramas. This is a beautifully paced slow burn romance properly done (IMO) and I am loving every episode w/o skipping any scenes.

The not so perfect:
1. Blossom .... Y Y Y Y Blossom? Why can't they translate the title closer to the Chinese title?
2. ML, bad (General's) hair. umm his face is long, and you just up dewed another 3" of extra dry fake hair
3. Typical one-dimensional bad stepmother, bad uncle, bad dad, supporting actors but MOST of them had a glimpse of turnaround.
4. Insta fall from ep 1. ML/FL needed a bit more scenes ep 2-6.

For the first time 34 episodes felt so short.
All Top notch:
1. Director
2. Story telling
3. Visuals, creativity
4. CPs!
5. Casting
6. Characters. There are several characters switch between good and evil & the actors pulled it off!
7. Satisfying Ending. No botched up ending with quick killing of the entire cast. No ending ending. No Rushed Ending.

LOVE LOVE LOVE I shall rewatch whenever there's a C-drama dry spell. (This year was a long dry spell)

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IM GONNA BE VERY HONEST

General Setting: Happy Ending, low romance, high on politics

If you are looking for good execution, directing or romance then this is not for you. To be honest, the clips of the leads I saw on twitter made me excited to watch this. However, when I saw the actual scenes it was so disappointing. The first half of the drama is good although the pacing is messy and there are many mini plots which they try to end quickly. But still its interesting and you feel like watching more. Around eps 20 onwards it started going downhill with poor build-up and really bad introduction of plots. One main example is the story of song han. Just by watching the drama I could tell how much they had to cut out because really the progression was bad for his arc. One minute he is following songmo like a loyal brother 2 eps later suddenly he wants to kill songmo and has all the ambitions he never had. This is just one example.

The entire drama started with a time slip. This time slip was mentioned like maybe 2 times(?) in the entire drama. But i can understand cause the minute she stopped Songmo from his rebelling plans she couldn't really predict what happens anymore. BUT at least she should have like explained it to Songmo (she tried for like 5mins on their wedding night). So the entire "time travel" plot was dropped.

Romance....I didnt feel the chemistry at all....the chemistry the two had in ep 1 practically carried the whole show cause once they got married it felt like i was watching a 50year old married couple instead of a newly married couple. Honestly i blame this on the execution cause their kiss scenes were shot so bad all the random camera angles and cut scenes...their tension was much stronger when they weren't together lol .

I'm honestly not sure why people are rating this so high and claiming it to be the drama of the year...its really not..its a very normal drama i feel. First half good second half bad. The villains are mediocre only appear at the end, the battle was so underwhelming (they tried to make it emotional but...). Jiyong the character i thought will be her advisor and guardian for the time travel plot was a character with no role and just acted all mighty.

Overall, had expectations for the drama but was let down. Acting was subpar as well so probably will not rewatch this...

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When karma slaps back.

Blossom (九重紫) stands out in a year where too many highly anticipated period costume dramas implode and self destruct pass the mid-point. This is short drama director Zheng Jingjie's debut long form drama where he once again compels with his brand of immersive storytelling. This drama avoids naming the dynasty as the narrative takes liberties with history and is quite critical of the emperor but it should be loosely set in mid-Ming dynasty, during the reign of the Chenghua emperor. The rebirth premise is straightforward and the business and palace conspiracy plot arcs while often done, are transformed by innovative takes on tired themes, a masterful build up in tension, suspense and relief and brisk pacing overall. There is nothing really that special about the plot or the acting, it is once again mostly about this director's captivating camera language and narrative panache that turned multiple low budget short dramas into memorable mini hits that punch above their production values. His foray into long form dramas should hopefully shake up the complacent and lazy storytelling characteristic of the well established long form directors.

Dou Zhao is the capable, long suffering wife of Wei Tingyu, the profligate Marquis of Jining. She chooses the cold and snowy night that vengeful butcher general Song Mo helps Prince Qing depose the crown prince and seize the throne, to dump her husband's sloppy ass. As she flees the capital, she is rescued by an injured Song Mo and they take refuge at the temple of a mysterious monk Yuantong. Cornered and betrayed, they fall into an abyss through time and space, inextricably bound through Yuantong's cryptic book of divination. Dou Zhao wakes up as if from a dream, as a young girl again, clutching the prophetic book like a lifeline. She is immediately thrust into one of the turning points in her life, where she painfully learns that forewarned is not necessarily forearmed. Nonetheless, she determinedly sets out to get it right this time around; to make herself financially independent and to avoid her past disastrous marriage. One of the story's strengths is that when karma slaps back, jeopardy is at play and Dou Zhao's book of riddles is far from a roadmap of the future. As the ripple effects of the changes she makes snowball, her world increasingly deviates from the past and the path ahead is murky and no less treacherous.

As for Song Mo, he has the hero halo and is the total package as far as physical appearances go but that is about it. As it turns out, his impressive muscles extend all the way up between his ears. This is an all bravado, all heart, kind of character that allows his rage and impulses to dictate his actions. As Ji Yong mockingly points out over and over again, he is a mantis with little insight or awareness even of who is moving the chess pieces around him and is easily manipulated into being someone else's pawn. His reckless, selfish and misguided quest for justice for one person, puts the wrong person on the throne and upsets the order of the universe, resulting in injustice for many people. So much so that 閻王/Yanwang the King of Hell himself must have rejected him and sent him back for a reboot. He does not get smarter, he is simply Dou Zhao's pawn the second time around and not the chess player. She is the inner voice of caution he does not possess that saves him time and again from his worst instincts. Dou Zhao's mature styling gives her gravitas as a business woman but it also makes her look visibly older than Song Mo. Leaving a few grey streaks in his hair may have negated this impression somewhat. Needless to say, even though I enjoyed the plot, I am lukewarm about this kind of CP and was not bowled over by their romance or chemistry. In fact, I find Dou Zhao has better chemistry with Ji Yong, who is her intellectual equal and her soul mate and confidante. But yeah, I get it, I'd probably also pick the hot general over the chess grandmaster. Being shallow is so much more fun!

The cast in this drama are all up and coming actors whose acting skills are still works in progress. Nonetheless, this director is accustomed to working with C-grade actors and adroitly papers over all their flaws with his brilliant visual narrative style. The best decision this production made was to invest in good voice actors that were able to give definition to all the roles that mattered. This is a case study for how in some cases, it is better not to rely on original voice. While I always like the storytelling approach of making certain supporting roles main characters of their own arcs, this was hit or miss in terms of execution. I enjoyed Wei Tingyu and Dou Ming's sub-plot best, but both characters did not get an ending they deserved. This was so that a tropey villain like Wei Xingyue got her own super unoriginal and overly melodramatic arc. It was a race to the bottom with the completely ridiculous and boring Song Han and Miao Ansu arc, which highlights the two most atrociously bad actors in the cast. There are more interesting character stories played by more charismatic actors including Chen Jia and Zhao Zhangru, Gu Yu and Wu Shan that they could be better explored. I really enjoyed Gu Yu and hope to see more of this very humorous and charming young actor Fu Weilun. Unlike Dou Zhao who has Ji Yong, Song Mo doesn't have a really good sidekick and Gu Yu could have been better utilised in this capacity. While there is no shortage of petty and not so original villain archetypes, this story lacks a really good villain with a compelling motive. The only ones that had real mastermind potential got whitewashed in the finale to deliver one twist too many.

Despite a few arcs that could have been better, a few missed opportunities, some sloppy logic and messy edits, the story finishes strongly at the plot climax and ends in a satisfying way. It is a very solid production that made the best of its limited resources. It got noticed and won well deserved praises not only because it is truly quite good but because so many other dramas with superior resources ended up bombing out so badly in 2024. As someone who was long ago bored with the romance genre, I enjoyed this enough to rate it 8.5/10.0

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I'M GLAD I FOUND THIS GEM

I started watching this without any expectations, just out of curiosity and interest after seeing the trailer but this drama has truly captivated me and made me addicted to watching every episode.

This drama has a GREAT STORYLINE, BEAUTIFUL CINEMATOGRAPHY, the calmness and elegant storytelling, soft color grading, aesthetically pleasing camera angles, good choice of music, and even the strength of each character is very satisfying. What stands out the most is the smart female character who doesn't just wait to be protected by the male lead but can also protect him in return, a truly well-written character.

The male lead is absolutely captivating. The expressions he shows make you both want to protect him and be protected by him at the same time. And the couple in this drama is so adorable, their chemistry is sizzling! His jealousy and His wide smile when he's proud of Dou Zhou is damn cute, He not only respects her choice but even expands her capacity to choose, He is the greenest green frorest. They’ve already given me butterflies, their relationship before and after fujin furen era. And I can't wait to see what actions they'll take to solve the problems in the future.

The story gets crazier and crazier, with a plot that keeps getting better and not a single scene wasted. The way the director showcases each character's development is excellent. DZ's coolness when she's angry is truly mesmerizing; her brilliance in handling problems never disappointed.

Surprisingly, this drama was directed by someone who usually works on mini-dramas, and this is his first full-length series. Hopefully, none of the characters will experience a downgrade. Please continue to develop their characters even further, making them grow stronger and more compelling as the story progresses and hope the drama will continue to maintain this excellent editing quality too.

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A rare drama that starts and finishes strong, led by a smart power couple

“Blossom” is actually not on my radar until everyone starts raving about it as the last black horse of 2024. Therefore, I joined the hype as I heard it has the recipe for success: Good Plot + Good Romance. So, is it worth the hype? Mostly, yes. I might not be as in love with it as many others. Surprisingly, the romance is the minor let down.

Despite its boring and cookie-cutter drama title, “Blossom” is a pretty well-acted and well-written mid-budget drama. It doesn’t feature top idol actors or big name actors. Instead, two supporting role veterans, Meng Zi Yi and Li Yun Rui, are given the spotlight. I’m happy to say that they did not disappoint when given the opportunity. I just finished watching Li Yun Rui in his other main role in “Go Back Lover”, and I’m glad he’s given a much better script here (just sad that he's dubbed).

I enjoyed Meng Zi Yi and Li Yun Rui’s scenes together in the first half of the drama (before their marriage). The drama started with a bang with exciting introductions of characters and a first episode that sucks you in. I enjoyed the first 10 episodes tremendously. Our main leads grew up to be upstanding individuals even though they had a rough and tragic childhood. They go from enemies-to-comrades-to-lovers in an organic and well-developed way. I enjoy how they try to outsmart each other and also work together.

Even though I do enjoy the mature romance, I was expecting more. It’s either because I had high expectations or I’m just not feeling the sizzling chemistry. Oh, I love the loving and longing looks ML has for FL. Li Yun Rui never disappoints in that regard. It’s just I was expecting sizzling hot chemistry. Instead, I was given a more mature, slow-burn and feeling of ‘content’, not enough cute scenes. All of this is good too, just not what i expected, thus, a minor disappointment. But our leads are the dream power couple. When they are together, no one is smarter than them. In fact, they can be viewed as too perfectly intelligent that you know nothing will go wrong, and they always have a plan B or plan C.

The pace of the middle episodes is a little slower after the initial excitement. This could be a breather or calm before the political storm. The family drama is nothing new and you’ve seen that in so many other historical dramas. I feel that the marriage subplots of who is going to marry who lasted too long. I got a little bored, especially when FL’s sister isn’t such an interesting character.

What comes as a personal surprise is how much I enjoy the political plot in the last 10 episodes. Because we saw what happened in the first episode, it kept me guessing what was going to happen in the end. Will the fate of all individuals be different? Is history going to repeat itself? How are the leads going to survive despite being the top enemies of everyone? I also get to see Ji Yong (Xia Zhi Guang) more in the latter episodes. He’s so mysterious and charismatic. Xia Zhi Guang has such screen presence and great subtle acting that I didn’t know I would miss him on my screen until he shows up again. I was also happy to see that ML’s brother is more than a one-dimensional character and like some of his conflicted scenes.

I would recommend “Blossom” as it’s a pretty well-rounded drama, and a rare one that starts and finishes strong. The acting is good, especially for the veteran supporting cast. There are some minor plotholes that I have to ignore with my rational brain, but not serious enough for me to call them out as a disappointment. I might be just a tad disappointed in the romance of the leads (surprisingly), but I still enjoy watching a mature, supportive, power couple with honest communication and no misunderstanding.


Completed: 12/24/2024 - Review #529

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A Must-Watch Drama That Redefines C-Drama Storytelling

As a fan of this director’s mini-dramas and familiar with the leads, I had this show vaguely on my radar, but wow—what a ride! This drama breaks away from tradition and delivers everything I’ve ever wished for in a C-drama. From the exquisite directing to the engaging characters, it’s a masterpiece through and through.

Directing and Cinematography:
The directing is stunning, with shots crafted with clear intention. There’s an artistry in how unspoken emotions are conveyed visually, creating a narrative that feels almost poetic. Every frame tells a story, and the attention to detail elevates the entire viewing experience, no additional voice narrating is necessary.

The Plot:
We start with a bold twist—our leads are at the end of their lives, poisoned and let down by the world. They connect on a profound, kindred level, only to die together. And then, just when you think it’s over, the story rewinds. The female lead wakes up in her childhood body, armed with memories of her past life. This familiar premise is brought to life in a refreshing way.
From the very first episode, you’re hooked. Unlike many dramas that rush through backstory in a few minutes, this one dedicates almost an entire episode to immersing us in the leads’ tragic past. By the time their deaths hit, you’re already emotionally invested. This makes their “redo” all the more meaningful—you want them to rewrite their fates.

The Characters:
-The Male Lead: He’s a brilliantly written character— just irresistible. Unlike the FL he did not keep his memories from his past life. A badass fighter unafraid to make difficult choices, he’s captivating from start to finish. Watching him fall in love with the FL and become a devoted husband was pure joy.
-The Female Lead: She’s smart, strategic, and compassionate—a true standout. It’s no wonder the ML (and others) are drawn to her. She is a badass queen!
Their chemistry is electric, and their relationship is everything I’ve ever wanted in a drama. They get married out of love (not duty!) in the middle of the series, and their relationship is free of miscommunication or unnecessary drama. They’re a true power couple and absolute #CoupleGoals.
-Ji Yong (3rd Favorite Character): A complex and fascinating character, Ji Yong is cunning, intelligent, and emotionally detached—but not evil. His ambition is understandable, and despite (appearing) to be on the opposite side of our leads, he’s impossible for me to hate. Knowing he gets a second chance also with his memories intact makes his journey even more compelling. Also, when his true intentions were revealed it made him the most interesting character in the show for me.

Palace Politics and Villains:
Though I’m not usually a fan of palace politics, the intrigue here kept me hooked. The villains are as twisted as they come, showcasing the theme, “No one can mess up your life like your family.” It’s painfully relatable and well-executed. Also, the showdown in ep.31 in the court kept me at the edge of my seat. And the finale is everything I expected it to be.

The Beautiful Happy Ending:
What truly cemented this drama as a favourite was the beautiful and uplifting ending. Despite the bleakness of their situation and the overwhelming odds against them, our leads stand together against the world, showing how love can transcend hate and bring light even in the darkest times. Their unwavering commitment to each other and their shared goal of a better future made the finale deeply satisfying. It’s rare to see such an authentic portrayal of love’s power, and it left me with a sense of hope and joy that I’ll carry with me for a long time.

Final Thoughts:
This drama came out of nowhere and completely swept me off my feet. The beautifully crafted story, unforgettable characters, and emotionally resonant themes make it my favorite drama of 2024. If you’re looking for a C-drama that delivers heart, depth, and an unforgettable journey, this is it.

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Rebirth plot, healthy romance but the wow factor was missing

This drama is about the main leads who (by chance) die together and then are 'rebirthed' back to their childhood. The female lead is the only one who retains all her past self memories and she uses her hidden knowledge to try to change her future. Years later, destiny meets the leads again, and together they work on clearing political turmoils and support each other through life’s challenges.

POSITIVE:
- Stunning cinematography. Every shot, every angle, the set designs, umbrella scenes and snow aesthetics was all beautiful to look at. The director did a fantastic job in bringing a great contrast of warm and dark tones, depending on the plot scene.
- Badass general male lead.
- Smart and level-headed female lead.
- Rebirth plot with a nice little twist.
- Mature with angst vibes.
- Politics focused.
- Great fight scenes.
- Ending was nicely wrapped up.

NEGATIVE:
- Something was missing. I’m not sure what it is but many times I found the plot and dialogue boring to watch. I just couldn’t fully emotionally connect with the story and characters.
- Second half lost my interest as the plot shifted and the drama became a chore to finish.
- Romance (after marriage) didn’t deliver and I became bored.
- Not enough gray hair scenes to satisfy my fangirling.

OVERALL:
I feel the drama has a good plot, characters and romance but at the same time I was bored a lot. The drama was missing that wow factor to really win me over.

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Justice is served

When you play a game of cards, the result is never 100% guaranteed. It can be predicted based on the moves the players make but it is never really absolute. It can change in the blink of an eye. One is expecting something and at the very last minute, the perceived unexpected happens and why? To show that a person’s life path can be challenging and though? If one climbs a mountain, through treacherous terrain, temperamental weather and conquering altitude sickness hoping to enjoy a spectacular view at the top and instead of a wonderful happy scenario see a cemetery, what is the point in climbing it in the first place?

It’s almost as if the production teams have felt the need to silently motivate the audience to keep going, keep watching the drama, building up the expectations that it would be worth it, fans would like it, and then delivering them tomb stones.

Blossom’s production team, fortunately delivered their unspoken promise that the view from the top of the mountain would be incredible. It was more than that, it was absolute perfection as the ending seemed crafted in the stars. Song Mo and Dou Zhao would truly be able to live happily together after going through the pits of hell with one another and for one another.

The deliverance of their wedding fairly early in the drama has allowed viewers to experience their marriage life for a significant number of episodes, something the majority of dramas tend to neglect in favour of unnecessary fill-ups that devalue the quality of the visual storyline and annoy viewers. Story quality over number of episodes worked extremely well as the 34 episodes perhaps minus one or two that could be condensed in the later stages of the drama were just right to tell a good story from beginning to end without dragging it to 40 episodes with boring material that would add nothing to the plot.

The story’s introduction was an epic masterpiece with Song Mo in a lengthy white/greyish hair, saving Dou Zhou and an orphan child from harm. His softness, empathy and kindness were as riveting as the fated arrow that later pierced through them, binding their life stories together. It was so unexpected and mind-blowing that made one thirsty for more and throughout its run, it did not disappoint overall. As they are pierced by the arrow, they fall through a large mirror, they travel back in time, waking up when they were children to start their lives again.

Song Mo is a strong man, a powerfully humble, righteous male lead with an unquestionable sense of justice and loyalty that has been betrayed by a number of people, particularly by his father, a duke who despised him in favour of his younger brother, an illegitimate love child whom he wanted to be his legal heir. To achieve that, he had no qualms in hurting Song Mo as much as he could, parading his public disdain for the son that took a beating for him in front of the army. But the father as wicked as he might have been was a known enemy. Song Han, the apparently soft studious brother, however, plotted Song Mo’s destruction without openly going against him. As it is often said, the worse kind of enemy is the one that is not seen and often the most dangerous one is a family member. The most intriguing characteristic of Song Mo is how, in spite of everything that he has endured from his father and paternal relatives his heart has remained pure and his honour has remained intact, shown by his commitment to justice and his determination to uncover the mastermind of his maternal uncle demise.

Dou Zhao is a phenomenal strategist who, contrary to Song Mo remembers everything from her previous life, working tirelessly to correct the mistakes that had been previously done and that have led to their demise. In the present, with the red line of fate intertwined with Song Mo’s, they embark on a journey of mutual assistance, trust and love that transforms them in allies and converts them into a loving husband and wife, together against the world, literally transcended time and space. Through her decisive actions Dou Zhao is able to achieve her goals and preventing her past from repeating itself. Despite not being able to prevent her mother’s death or her best friend from becoming her step-mother, Dou Zhao is able to move in with her grandmother, to grow up in peace, establishing profitable business ventures which gave her financial independence. She was also able to choose whom she married, accepting Song Mo marriage proposal and becoming his wife, instead of marrying Wei Ting Yu as she had in her past life and being poisoned by him and her sister due to their love for one another.

Blossom is full of twists and turns with various demises as the story progresses including Dou Zhao’s sister Dou Ming and Wei Ting Yu who not also marry one another in the present but also end up dying tragically and her step-mother who ends up living life paying for her sins, amongst other characters like Song Mo’s father, to mention a few.

It almost seems like whenever a supporting character’s arch has finished its purpose in the story, the person dies. Thus death serves both as an ending, often tragic and as a beginning to another uncovered plot, going on and on until the very end with existing personas i.e. Ansu, Dou Zhou’s childhood friend who is granted the title of princess by the emperor and a marriage with Song Han. She appears early in the story, then goes on with her life for a number of episodes without being seen on screen until the moment when she takes centre stage, second only to the male leads to propel the storyline forward as Dou Zhou’s sister-in-law, albeit higher-ranked. In her love for Song Mo, she stands by him, ignoring his distorted mind and sordid nature. A man who had no qualms in hurting another for the simple purpose of proving his physical superiority had a black heart and a corrupted soul, a consequence of his inferiority complex towards Song Mo. In the end, Ansu serves justice by ending her husband’s life, showing that there is love but at the other end of the spectrum there is hate and their combo is both fire and ice.

Yuan Tong / Ji Yong was an interesting character. In the first life he was a monk, in the second, a game-changer strategic healer mastermind that strived for power to implement the changes in the empire that he believed to be needed, and aimed for Song Mo’s death to be with Dou Zhao, whom he admired and loved to the ends of the earth, whom he saw as an equal, as the perfect match for him. Yuan Tong was kind and light. In contrast, Ji Yong was kind, conniving and grey. The first one wanted peace, and aimed for good; the second wanted peace and aimed for war, due to the perception that revolution was necessary and it could only be obtained by force. In the end he got what he wanted career wise, becoming the chief grand secretary of the new dynasty but he did not get love which has never been his primary focus anyway.

Overall, Blossom was a breath of fresh air without the recycled plotlines.

The leads did not meet up, fell in love, broke up and got back together at the very end or close enough to it as per usual troupe. They met, they became allies, they fell in love, got married, went through hell together, stayed lovingly together and had a daughter whom they saw grow up. There was no love-triangle at all as both Song Mo and Dou Zhao only had eyes for each other and they did not want to be with anyone else, nor did they tolerate any interference in their relationship. Kudos to them for remaining unfazed by whatever life threw at them, for supporting one another, for caring for one another and for portraying what a strong, solid, loving relationship ought to be like and for the happy end-game.

Ji Yong, while mentally in-love with Dou Zhao was more concerned with his professional goals than in actively pursuing her like many second male leads, but wait, the character could not be really considered one in the first place. Ji Yong was more like a chess player, where people like Prince Qing and Song Han were his pawns and like disposable pawns, they ended up paying the price for their misdeeds and justice was served, proving that, despite having the resources to achieve what they wanted to accomplish, those matter nothing in a battle between darkness and light, wrong and right, war and peace, hate and love.

In the end love should win and karma should be served. That is what happened here. Love won and karma was served without the possibility of redemption but then love and redemption is another story.

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