Diva à Deriva (2023)

A sweet

In this drama , I fell in love with Park Eun Bin. I know a lot of you did in her previous drama as a lawyer, but I didn't watch it so it's not my case. Her acting here is so sweet that you get attached to her from beginning to end.
The story is really interesting, every main characters has their secrets and their skeletons in their family closet and it's really interesting to watch them grow with it.

Mokha is so attaching, I love her loyalty. She stays true to her own values (she doesn't let people take advantage of her) and she's mature. She shows that you can achieve your goals without stepping on others. I love how she's not fake, simply good. She's not the traditional "innocent" female lead we meet in dramas: the one who's life is terrible but she's such a saint that you wonder why it happens to her. No she's someone like us, you can relate to her. But she's what everyone will call a realistically "GOOD" person.

Park Eun Bin has an amazing voice and her singing was a blessing to my ears, my phone and my laptops. The drama reminds me of Imitation because of the theme, but Mokha is more attaching than Maha.

I came across the videos of PEB singing "Someday" on Instagram and her voice was so pure that I decided to watch the whole drama.

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The Songs! Her Voice!

Park Eun Bin never, and I mean, never, fails to deliver and this is no exception - adding a whole new facet to her talents by having her knocking it out of the park with that stunning voice she has too, alongside her already award winning acting talent.

The rest of the cast are great too, of course, and I particularly loved the interplay between Park Eun Bin and Kim Hyo Jin (who played Ran Joo), and Lee Re who played Seo Mok Ha when she was younger was an absolutely inspired choice - the two of them were a brilliant younger/older pairing and so often when watching the older Mok Ha I could see the little twitches or tells that were the same as Lee Re portrayed on the younger Mok Ha - this truly felt like a younger and older version of the same person.

This is a story of people who have lost their way, whether it's in their careers and dreams or literally on an island, and how those people find each other and guide each other to their futures.

The music throughout is spectacular, absolutely my taste and i'll be adding most of it to my playlist on Spotify, wait for the credits at the end of the last episode for a different video to one of the songs too featuring Mok Ha on the island, nice little treat.

Of course aside from Mok Ha on the island, you've got a number of other things at play, from Ran Joo losing her way as an artist, to the other things happening to Ki Ho, Mok ha's friend from home who tried to run away with her at the start that threaten to not just derail their futures but potentially worse.

Numerous times throughout watching this you'll get those big warm fuzzies, or ball your eyes out, depending on how you react - not spoiling anything but... Ran Joo and the balloons, that's all i'm saying. Sorry, i've got something in my eye...

Trigger warnings - abusive parents at the start, pretty tough to watch, but it all contributes to the story I thought and none of it was gratuitous.

I'd happily re-watch this one. The songs, the sights of seeing her grow and sing, the journey the other characters take, I don't think knowing what comes actually diminishes the value of re-watching it much if at all.

Right, i'm off to get a fair-use warning on Spotify for listening to the OST for this too much...

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Wow! What a soundtrack and story!

This is a tale of survival that took me on a journey, serving up a platter of diverse emotions. There were moments of uproarious laughter, loud enough for all my neighbors to hear, and times when I held my breath as tears flowed. The story and characters had me completely engrossed. I eagerly anticipated each episode and, by the end, found myself wishing for more than the allotted 12 episodes. I yearned to delve deeper into the lives of the main characters who proved both fascinating and relatable.

And let's talk about the music—it was as impactful as the story itself! The music felt like an additional cast member, bringing power, inspiration, and beauty to the series.

Now, this series has earned a spot on my all-time favorites list. My only gripe is that I wish it were longer.

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A new fave

This will now be one of my absolute favorite dramas! It had suspense, love, tears, relationships & a family oriented show.

I don't write many reviews bc most others have said what I agree with. But this drama gave me the "good feels!"
The story started out with family issues & dreams of overcoming those dynamics.

Ki-ho & Mok-ha survived 15 years without each other both missing the other.

Both grew & their story wasn't the only one for the show. Many side stories with complications but the ending was appropriate & the ending I wish had a little more but seriously what can ya do.

I wonder if I can buy the soundtrack but will definitely be a favorite that I watch again.

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Tissues are required to watch this drama

The first episode was a lot. The characters gave me GOONG vibes - you'd think this drama would be cheesy...BUT IT AIN'T!

I did not expect to ball my eyes out in the first episode. The topic of DA really hits me hard. I think the director and actors did well in conveying what some scenarios are like (and how victims may feel/think). It really does suck for Jang KiHo's situation (Father being a police officer - can't really report him with how corrupt the government/society is).

As you go through the drama, some things may seem expected/predictable, but it's still such a well-told drama (so far, as i haven't completed the drama yet). I've cried almost every episode, as each episode brings up different challenges and back stories of each character - the struggles!

I'm such a fan of all the dramas Park EunBin has been in, and her costars are always so amazing (good team work).

Also, I had high expectations when I saw who the screenwriter (Park Hye Ryun) and Director (Oh Choong Hwan) were, as they have been responsible for many amazing dramas I love.

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Good Introduction till Episode 6, but average in mid and later parts.

Meh, overall average drama. Mannerisms of Park Eun Bin seemed like she was trying to relive extraordinary attorney woo days with jelloa do accent. ML was totally absent from whole drama and his brother (SML) seemed more prominent to the story, maybe he was overshadowed by his own younger self. One-time watch.
The whole struggle of FL seemed lacking with the addition of Kim Hyo Jin. Amidst the whole different storylines the writer should have given more time and emotions in each and every aspect of struggle from FL being above age, FL's struggle on Island(which should have been given a whole episode), Hyo Jin with her voice and ML with his family. Writer tried to tackle too much in too little detail and overall execution seemed bland and suffered from emotional disconnect. Finally the biggest weak point is in trying to lift up FL so much the casting of ML should have been better. He lacked so much screen presence in front of Eun Bin, guy should work in more dramas as Second lead or take more male centric parts to hone up his presence. I watched another of his drama Unlock my boss and it suffered from same problem.
Lastly, point of appreciation for high school parts played by teenage actors , they rocked their parts.

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The story gets blurred in the middle

Before i'm complaining this drama, i would to say about the good aspect of this drama,
Good aspect:
1. They build base of this story so good, come from child abuse, childhood trauma from each father, but one still getting the positive mind meanwhile the other trying to swallow bitter reality. They empathize their feeling and helping each other. I fall in love with this drama because this background.

2. The positivity seo mok ha have, impossible one's have positive minds like mok ha, but they add reality to mok ha minds so it became possible about mok ha character, she know her dream is so unstable but she still want to try because the hardship of her 15 years will be nothing. Many people want her to stop imagine and pursuing her dream but ALWAYS male lead always being her supporter number one ^^

3. Mysterious Jung Ki Ho, after separated for 15 years, seo mok ha trying to find jung ki ho, a boy that encourage her to pursue her dream, also help her to set her free from her father. How the audience have to guess who ki ho is, with all the hint that seo mok ha get, it's so exciting ^^ I've waited each week just to know about who jung ki ho is.

That's it, that are 3 charming points for me

NOW, time for revealing lacking points + my complain.....

1. The chemistry of leads, actually i can't feel romance feeling in Jung ki ho and Seo mok ha, their feeling comes from empathy right? sharing same hurt feeling from their trauma, guilty, and comfort. But how they falling in love with each other I DO NOT feel that at all, suddenly Jung ki ho said he still loves her for 15 years and Seo mok ha feel same, ikr who is the crazy that still wait for ones if it's not love but HOW?? HOW THEY FALLING IN LOVE?? THEY FALLING IN LOVE BECAUSE THEIR ABUSIVE FATHER?? THEY FALLING IN LOVE BECAUSE THEY WILL RUNAWAY TOGETHER?? THEY FALLING IN LOVE BECAUSE MISSING EACH OTHER?? WHYYYY..... I can't feel at all, this is the most dissapointed part for me T_T

2. Screentime of the leads, scene ki ho and mok ha together to be lovey dovey couple OHMYGOD i can count it with my fingers T_T Indeed, this drama about how mok ha pursuing her dream BUT she have loveline with ki ho, i craving their lovey dovey scene, how they develop each other feeling from teenager's love to adult's love, they didn't explain this at all T_T

3. Love triangle with Woo Hak, i know it will be disgusting shit if brothers fight for a woman, but how woo hak falling love with mok ha, how he know his feeling is dangerous, and how he conclude his feeling is just like a flash, they explained woo hak's feeling in some scene :( i want it to be more little dramatic hahahaha it will be interesting though hahahahaha (ignore this point)

4. I don't know about this, but people made me realize, in the middle of the story, the story move to yoon ran joo, Seo mok ha just to get her dream via yoon ran joo, seo mok ha admire yoon ran joo is undeniable but how seo mok ha is depending to yoon ran joo is just not right, although i enjoyed yoon ran joo story too, but many people not satisfied about this point. the story get blurred about the lead character. Also seo mok ha had struggle about her debut, but she doesn't have struggle after that? climbing chart one by one is normal for rookie artist, i mean why her rival is just eun mo rae? i want more drama about her struggle after debut but nothing, she straight to the top.

Overall, i can conclude the story like this, these 12 episode were divided in 3 part, seo mok ha getting used from 15 years in desserted island to pursuing her dream, revealing Kang Bo Geol and his family identity also his problem with his father, Yoon ran joo achieve 20 million album selling, still the most disappointed part is lacking of lovey dovey part ki ho and mok ha :(

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A balanced mix of pleasant feel-good with sad life challenges and social grievances

"Castaway Diva" tells the story of a musically talented young girl with a very deep passion for a particular South Korean singer and her nationally acclaimed songs. “Castaway Diva” also tells the story of a lifelong childhood friendship.

The plot summary implies a survival challenge with the promising scenario 'lonely girl for 15 years on a desert island'. Survival challenge may be the topic, but as far as the protagonist´s years alone on the island is concerned, the KDrama spends only a comparably short time on that aspect. It is rather about the (lifelong) challenge of ´some´ to survive their family burden...

'15 years on a lonely island' (however - don´t be mistaken - not in the South Seas or anything like that...) is a nice, original hook that once again introduces us to an attractive side of South Korea (in you like, there is a see side note below). Those years on the island basically form the cleverly knitted background for a firm, characteristically differing profile of a young woman who is intelligent, but comparatively not as consistently socialized in South Korean society and its strong traditions as the rest of the population. Due to her youth, which was for 15 years free of parental upbringing, school instruction and social comparison, yet inevitably well-grounded in everyday survival in the great outdoors, the protagonist brings refreshing clarity, simplicity and directness back to the modern lives of those around her in South Korea 2023. With her almost at the same time naïve and outrageous freedom in thinking and acting, the FL conveys independence and self-reliance in the midst of a society dominated by class, hierarchies and patriarchal family structures. In the midst of modern South Korean society, she hasn´t lost her authentic, creative spirit along the tiring path of competitive education while growing up. She is not, like so many others, gagged by acquired decency, and certainly not disillusioned or frustrated. She impulsively acts on instinct and follows her heart. This has worked for her so far, e.g. surviving her time on the island (and largely overcoming her childhood experiences, too.)

Within this framework, the KDrama is embedding the issue of domestic violence. In fact, this unfortunately still quite widespread, extremely sad problem is dramaturgically tackled in a resolute, rather offensive manner. This topic in its frighteningly powerful might is actually the source of the story´s suspension that runs through all 16 episodes in a tirelessly consistent, incredibly sticky manner…

And the music... yes, the music... This always becomes a balm for the soul. Even if competition in the music business might interfere here and there, music as such inevitably brings heart and soul together. The music brings light into the darkness. For the story overall it becomes the source of life force and healing, too. (Regardless, whether I personally dearly like the songs or not.)

So actually, “Castaway Diva” has quite something to offer. A KDrama that (for a change) isn´t set within the world of the fashionable upper class, and doesn't target the usual RomCom style (however, doesn´t dare to do without it either... well.). Instead, “Castaway Diva” is facing common life with its socially problematic issues in a fairly grounded way and in the process tells a likeable, bright story.

In would recommend "Castaway Diva", if you do not want it to be that intense, yet nonetheless some (easy to digest) profoundness is desired, too. Despite the commotion, with this KDrama an overall positive radiation prevails, i.e. thanks to the consistently positive charisma and straightforward demeanor of Park Eun-bin (- as well as Lee Re as young FL.)

I consider the heartfelt development dynamic of the relationship between the two women - the fan and her star – to be quite felicitous. As is the affectionate patch work family vibe. And always inspiring, the cheerfully thrown in bits and pieces of wisdom that life in nature (as opposed to school education) has taught the FL...

Overall, a balanced mix of pleasant feel-good with sad life challenges and social grievances.










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SIDE NOTE:
--- Stranded on one of the 1,000 islands in the southwest of South Korea (and NOT somewhere in the South Seas...) ---

In the Yellow Sea in the southwest of the South Korean peninsula, there are well over 1,000 islands of different sizes. Many of them are downright mini and not even inhabited. It might happen that no one sets foot on one of them for decades.

In recent years, between some of the larger inhabited islands bridges have increasingly been built. Yet, many of them can still only be reached by water. On the islands you can find an ecosystem with virgin forests, wetlands and mudflats that has remained largely untouched by modern human life to this day. Accordingly, this region of 1,000 islands, which extends to over 3,000 km², is now listed as a UNESCO biosphere reserve.

Life between ebb and flow is determined by agriculture and fishing. Thus life is simple, slow, and for some people rather boring. Accordingly, the young are leaving... and the region is overaging.

However, the gifts of nature offer pure abundance. Fishing is often done with bare hands. Mussels and crabs can be collected from the mudflats. Mung beans, soybeans, sweet potatoes, rice, chili and sesame grow abundantly. There are also a variety of findings you can collect on the beaches. You might literally stumble upon small and large treasures. For several centuries, trade with the West took the route through the Yellow Sea. After heavy thunderstorms, many ships have capsized over time up to this day. This is why the maritime region has now been officially listed as a historical site. Deep sea diving for treasures from the Song and Won dynasties of the Chinese Empire, which have been well preserved in shipwrecks in the salty mudflats, has therefore become quite popular. (The FL in "Castaway Diva", however, is more interested in the very mundane, modern flotsam that keep washing up on shore after thunderstorms...)

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It's really all about the correct fit, which this did not have

Edit - I recently was listening to a podcast that talked about the current situation in South Koreas for actors. There seems to be diminishing amount of work available even for the best of actors. My review hit Park Eun Bin pretty hard in her portrayal of the FL. One question I kept asking was why would Park Eun Bin take on a role like Mok Ha? Well with the amount of work for South Korean actors decreasing, that answers my question. I hope with the popularity of Kdramas, there will be plenty of work available for these talented actors.

In watching this series, I can sum up my impression with one word...disconnect. Let's first talk about the disconnect with the lead role.

Probably like most other viewers, I watched this series for actor Park Eun Bin. Her stellar performances in The King's Affection and Extraordinary Attorney Woo brought me back for more. The expectations were high, maybe too high, as this performance did not deliver like her two previous series. Eun Bin is a gifted and talented character actress, and I'm not sure the role of Mok Ha needed what she brought to it. Maybe that is why I always felt at odds with Mok Ha when watching her storyline unfold. I never really felt there was a good fit between this talented actress and the character she was playing. However, the rest of the cast seemed to gel nicely with their characters. I especially enjoyed the actors who played young Ki Ho and young Mok Ha.

Next was the disconnect between my expectations of the series (based on the marketing) and the reality. It came across as a light-hearted, funny, musical-type of series. But from the very beginning, it had this dark side that carried the viewer through all kinds of torture with hellish family abuse, violence, attempted murder, suicide, business sabotage, and let's not forget trying to survive on a deserted island. I realize this adds layers and complexity to a storyline, but the execution of lighthearted contrasted with violence was a little too extreme for one story, and for me, made it unbelievable. I also had a hard time believing in Mok Ha's journey both on the island and once she was rescued. I know this is fiction, and anything can happen in fiction, but building a hut? How and where did those wood slats come from? The nails? The tools? I remember hearing an interview of Tom Hanks and Robert Zemekis when the 2000 movie Castaway came out in theaters. They spoke how they constantly debated on how far they would let Hank's deserted island character show the utter reality of surviving. If they showed complete reality, it would drive the viewer away as it would be too depressing to watch. I realize that same thing applied to this series, but it seemed they went a little too far as sometimes it just seemed everyday was a great day on the island.

Mok Ha's transition back into civilization was another disconnect. First of all, trauma is her middle name. She has an abusive father, runs away, is chased into the sea by this abusive father, washes ashore, sees her dead father in the waves, and has to survive by herself for 15 years. Yet, with all of this trauma, when she does come back to civilization, she immediately dons her fan-girling hat, blows up balloons, cheers for her favorite idol as the most balanced and stable human being on the planet. It just is way too unbelievable. I also have to say that I find this somewhat offensive. If a person actually went through what Mok Ha went through, there would be years of therapy to work through the trauma and re-enter life. The way the writers completely ignored this is great disservice to abuse and trauma victims. Not only was it ignored, but when Mok Ha is rescued, all the focus goes to the selfish, self-serving celebrity hitting her alcoholic bottom lamenting her lost career, and how Mok Ha takes care of her! This is what I least liked about the series.

My advice to someone thinking about watching this series is to treat it like a fairytale. There is a hero, heroine, villain, and the stuff that happens to them is a bit on the "magical" side, but it's done to get them to that happily-ever after.

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A story about a young woman who dreamt of becoming a diva.

The idea of the story itself is very unique in my opinion. Though there are some illogical point (regarding her survival in the deserted island), but the whole visual is super great. And the story is not merely highlighting the romance between the main leads couple. But it showed us friendship, hope, resilience, and persistence.

The actors and actresses really did a great job in portraying their character. Park Eun Bin with her quirk, Chae Jong Hyeop with his talking eyes, Cha Hak Yeon with his wit, and Kim Hyo Jin with her clumsiness. I really enjoyed their acting here. So did the supporter character. Everyone was equally doing their best to portray their character.

Though the focus of the series itself is not romance, but I can feel a great chemistry between the ML and FL. They portrayed pure love. And it feels so sweet and sincere.

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Plucky, down on her luck girl makes good.

The premise is so wildly implausible that it seems like there is no way they could make it work, but Castaway Diva is a very pleasant surprise. It is every bit a showcase for Park Eun Bin and she pretty much knocks it out of the park--and this right after her star turn in the remarkable Extraordinary Attorney Woo. (Kudos to her management team!) The supporting cast is quite good too--especially Kim Hyo Jin as mentor Yoo Ran Joo. The plot has some pretty glaring holes, but just go along for the ride. It's worth it. Good, not great, but definitely worth a watch for fans of "plucky, down on her luck girl makes good" kind of dramas.

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