Pamyo (2024)

I kept praying time would go slower so it doesn't end XD

I love everything about it from the outstanding cinematography to the perfectly "balanced" plot, it doesn't bore you with giving too much information and background story just enough to understand everything, and keeps you excited throughout the whole movie. I prefer these types of horror movies with eerie and gut-churning scenes with an interesting plot over movies with repetitive jumpscares and meaningless plots. The emotions the cast conveyed with their brilliant acting made me drown in the movie as if I were watching a real-life event live.
Sadly I had to watch this at home I wish they displayed it at where I live I would 100% go watch this at a cinema.

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disappointing

Exhuma promised spine-chilling horror but delivered predictable scares and a lackluster plot. Despite its atmospheric cinematography, the film relies too heavily on clichés and fails to innovate within the genre. Jump scares feel telegraphed, and the central mystery lacks depth, leaving viewers unsatisfied. While the cast delivers solid performances, they're stifled by a script that fails to engage
Visually, "Exhuma" delivers in spades, with atmospheric cinematography and expertly crafted set pieces that serve to heighten the sense of impending doom. From dimly lit corridors to decrepit graveyards, every location exudes an aura of malevolence, inviting viewers to lose themselves in the film's sinister world.However, where "Exhuma" truly falters is in its execution of scares and plot development. Despite the best efforts of the cast and crew, including standout performances from the lead actors, the film struggles to deliver genuine moments of terror. Jump scares are telegraphed well in advance, robbing them of their intended impact, while the central mystery lacks the complexity and depth needed to sustain interest. Ultimately, Exhuma falls short of my expectations.

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Overhyped movie?

This movie is good, one of the overhyped movie this year it considered as one of the top grossing movie this year maybe because of the castibg. I don't understand why it is talked about its not one of the best thrilling movies that I saw its just a typical ritual movie the story is very common.
The movie is not that bad its just a common story not that scary at all. The casting is great, they got the best actors in this film and they really did their best. The cinematography is great they got the best shots. It was nicely done.
Kim go Eun did a great job, she really nailed as a shaman, she really did the shaman chant excellently. I really love his acting here.
Lee Do Hyun is really given that his a good actor but he also did his exceptional acting skills in this film. But what caught my attention is that he looks hotter in this film.
Overall the movie is great and common, not worhy for an award.

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Slow Burn At Its Best

If you're out for a horror movie with plenty of jump scares, look elsewhere.

Unlike your typical horror movie, supernatural beings don't get "accidentally" summoned by a bunch of irresponsible drunken teenagers, there's no cringey "I'll be back" dialogues, no jump scares, no slamming furniture, flying objects and creaky floorboards, no adrenaline inducing score to keep you at the edge of your seat; just a clever blend of cultural folklore, metaphysics, pacing and build up.

Divided into six different acts, "Exhuma" tells the story of a shaman and a geomancer, who are recruited to help a rich family conduct an exhumation of their ancestral grave.

Act 1, introduces the audience to the leads, who they are, what they do, and slowly reel the audience in by placing an unpredictable twist at the end of each act, making the audience wonder and hunger for more. Just when you think that you're right, you couldn't be more wrong.

There are, however, some obvious loopholes in the film, which might have been cut for time ("Exhuma" has a runtime of 134mins) but those loopholes seem like forgettable side quests, that doesn't really affect the main storyline.

Everything is meticulously calculated, everyone knows very well what they are doing, everyone knows what they are getting into.... except the audience.

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what a good surprise

estou levemente impactado com este daqui. não estava esperando metade do que ele foi, fui assitir despretensiosamente e sai surpreso com a qualidade que ele entrega.

eu acho muito interessante acompanhar religião/mitologia ser tratado em filmes pois é sempre 8 ou 80 e aqui é um 80! eu achei de uma certa forma fascinante os elementos que são apresentados aqui, o modo como alguns rituais são feitos, artefatos que são apresentados e toda relação dos personagens com esses elementos. não é o tipo de terror que te assusta mas te faz aproveitar todo o tempo de duração

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Folklore occult horror that shouldn't be missed

Exhuma is an enthralling, unique exploration of intergenerational curses, national history, and spectral hauntings. Kim Go-eun easily carries the dramatic load and Choi Min-sik gives his role a grizzled, weary authority. The journey moves viewers from the ghostly to the monstrous with meaning and history behind the horror, and while there are thought-provoking elements at play here there’s also a desire to deliver big, creepy, gory, beautiful thrills. The inclusion of rituals and ceremonies with historical influences craft a tangible world the story exists in, not necessarily adding undeniable plausibility, but certainly introducing disturbing situations steeped in beliefs and tradition.

My Rating : 8/10

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Cultural identity, Scars of colonial trauma, and Globalization

It's always refreshing to see horror films that aren't based around the Christian frame work because everyone is influenced by the same Hollywood movies and western colonization. It's an even more impressive feat considering the director himself is Christian also. I really enjoy that the film is rooted in cultural knowledge that specifically the Korean audiences would be familiar with and doesn't do any exposition to handhold international audiences, because it doesn't have to. I see so many reviews that are so entitled to being catered to. There's a lot of cross cultural motifs in the film perhaps alluding to the past unease of forced mixing of cultures during the wartime versus the modern world where there are cultural exchanges through globalization with various soft powers. The cursed rich family hiring the shaman are Korean American, their ancestor unfortunately worked with the colonial Japanese military, and the geomancer's daughter marrying a German husband, even the Christian character Young Geun who assists in the geomancy and the shamanic rituals and does Christian prayers for his cohort who had been attacked by a Japanese curse demon.

The film opens with the shaman Hwa Rim being spoke to in Japanese by an Asian flight attendant on a flight of different ethnicities sitting around them. While Hwa Rim responds to the attendant's question in perfect Japanese, she also clarifies that she's Korean. Her cultural identity is important to her. She and her shaman assistant Bong Gil travel to St. Joseph's hospital to assess baby Joseph who is the latest first born son or remaining son afflicted of the family curse. St. Joseph is the earth father of Jesus, so Joseph carries the theme of the patrilineage. Hwa Rim clocks that the troubles stem from the grandfather who the characters later discovered the big family secret is that he was a high ranking officer who worked for the Colonial Japanese during that era, which is how recent it still is in the historical timeframe. Aside from weapons and atrocities, there was Japanization to force Koreans to remove their culture. The iron stakes refers to an urban legend that the Colonial Japanese installed them in specific places to break the spirit of the Korean people. No matter how loyal the grandfather was to the occupiers, they used him even in death for their scheme to protect the giant demon version of the iron stake made from a big sword and different pieces of bodies. His nameless, abandoned grave, turning him into an aggressive spirt that murders his own bloodline. The sparing visions of the ghost was more effective than dancing his tango loving daughter in law to death which was pretty silly. The ghost learned human technology really fast, using the phone to fool his grandson into ignoring the actual Sang Deok at the door. That's kind of silly, but points for flipping the script on the door banging being from the actual Sang Deok. They make sure to show that they had no choice, but to cremate the body on a rainy day to save baby Joseph, and so the guy who worked for the Japanese Colonial power will not have a good afterlife.

The cgi foxes could have been done better, but the human headed snake that screams was an effective creepy design, as was the reveal there is a vertical grave underneath the grandfather, and the giant demon shogun that feasts on humans that emerges from it. It was clever to have Geomancer Sang Deok's explanation about how his field revolves around the elements of wood, metal, fire, air, and water come back around by using wood and his own blood in place of water to defeat the monster comprised of metal and fire. Hwa Rim's fluent Japanese implied to be possibly related to her shamanism field requiring at least some knowledge of the shamanism from there with Japanese ghosts behaving differently on the danger scale, comes in clutch to understand what the shogun says and wants. Bong Gil manages to survive his encounter with the shogun by being covered mostly in tattoos of the Buddhist script, leaving the demon only being able to stab the liver area which was an unfortunate blank spot. Hwa Rim realizing this leads to a funny scene where she, Sang Deok, and Young Geun are covered in temporary tattoos of the Buddhist script while having to speak to the traffic controller at a stop to go back into the mountain area. The rag tag team defeat the evil, but they are still are still affected by their experiences, similar to how South Korean is still affected by what had happened to the country during the colonial rule. The team is bonded though surviving the trauma and Sang Deok incorporates them into his new blended family along with his German son in law in the the big family photo.

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‘Mr Vampire’ in Korean version

This is a Korean take on Exorcism…some nostalgia familiarity to the good old Hong Kong movie, Mr Vampire. Watched this because of reviews.
I grew up watching Hong Kong horror drama involving exorcism, spirit and zombie. So I was pleasantly surprised by this movie which is based on Korean culture also has some similar elements such as rituals, calling spirit, Feng Shui, ancestors’ grave shifting, exorcism etc. It even had a darker urban legend as the back story about what Japanese Yin-Yang master done to Korean Feng Shui by breaking Korea into two countries. And there was a subtle theme of how a country and people survived this ordeal (war), trauma stays with them.
Brief plot without reviewing much, is about one veteran (a Feng Shui master), a funeral director and two new practitioners (a Sharman and her disciple), these four came together because of their client’s ancestor grave mystery and uncovered a darker past. Facing life danger situation, they will have to use their expertise to fight the unknown.
Brilliant writing, good pacing, good acting.
If you like this type of drama, this is definitely worth the watch.

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very chilling, good story

I enjoyed this!
It’s very spiritual which I enjoy. The overall vibe and tone was so chilling. It set the environment well. The last few chapters were a bit confusing as things were getting revealed but that is bc I am a westerner, so I had to do some pausing to look up things for context. Which I found enriching. I actually learned a bit of history bc of this. But I liked the story. Knowing the context behind some of the stuff puts the puzzle pieces together.

Regardless of that still a solid horror/thriller. Not overtly scary per se but had decent jump scares. The vibes were so creepy, that was scary enough. I found myself invested in the mystery and the characters despite there not being a ton of backstory on them. But i found that was okay. Some of the interactions, flashbacks, etc told me everything I needed to know.

Would recommend!

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a spectacular drag that is less scary and more political than i signed up for

i feel like i just wasted 134 minutes of my life.

seriously. what the fuck was that? the pacing was slow as heck. the recent slew of korean shows i've watched have led me to entertain the notion that korean shows conflate drag with artistry. no, a dragged-out, slow motion shot of a woman raising her head is not particularly thought-provoking. look, i know sometimes it's about flair, it's about atmosphere, but there's a chasm between style and extreme boredom. just don't. overdo. it.

and honestly, the visuals were fine (but too dark -- we're approaching GOT season 8 ep 3 levels of dark here), but atmospheric? sure, it was a little eerie, but it was never really scary. i don't know about other regions, but it sure was marketed as chilling/scary/thrilling over here, and frankly, it just wasn't.

i'll give props where it's due: the acting was great. i haven't seen kim go eun disappoint once, and this movie is no exception. lee dohyun feels a little out of his depth as bong-gil here to be honest, but maybe that's more on his character. which brings me to another glaring complaint: where is the characterization? i'm 134 minutes in and out, and none the wiser about who any of these people are. we're limited by runtime, of course, so if there's have a good plot here, i'll forgive a plot-centric movie for less-than-satisfactory characterization. but do we?

the plot is... bad. first we have a standalone case that is fairly uninspired, but serves as an introduction to the system, so that's fine. then we go back to the opening scene's baby sickness and dive into our main arc. i'm sorry, but it took forever to get to the brunt of it. it felt like i spent a full hour of nothing to just get to the exhuming, which was, to its credit, the best part of the entire movie. there was some actual anticipation and apprehension as to what might happen. waiting for the consequences to hit consisted of 100% of the entire show's tension. then the show just... derailed from there. look, i'm not going to touch on the ramifications of the atrocities inflicted by imperial japan, but as a member of the international audience, i question the decision to bring all that into this. while we're being political, i'll venture to point out the implications of transplanting the japanese shogun into a vessel that justifies a faceless evil with a complete lack of nuance. i'm not korean, and i don't have to enjoy this. all things considered, it's also a pretty forced patriotic twist and i'm just tired of the nationalist call-to-arms in my shows, boss. outside of the shoehorned historical politics, the film also loses its suspense and drive once the shogun's involvement is revealed. it's just one traditionally korean-themed oni fight.

bottom line: i want my 134 minutes back.

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