Meu Diário para a Liberdade (2022)

Like Reading A Collection of Diaries

My 4 categories are Acting/Cast, Writing, Direction/SFX/Music, Entertainment Value.

I picked up this drama because I had a headache and wanted to watch something calm. I had it on while doing other things; I didn't think I would pay too much attention to it. However, it drew me in and I found myself completely focused on this drama.

Acting/Cast: I wasn't sure about the cast at first, but they all really grew on me. I may not have necessarily personally liked certain characters, but they all felt very believable and well-acted. I really related to the younger sister, Mi Jeong, a nice, soft-spoken girl with some talent who repeatedly gets taken advantage of. I also felt empathetic towards the older sister, Gi Jeong, watching her try so hard to make a change and take risks, only to keep getting knocked down and publicly humiliated. I would say the brother, Chang Hui, and his storyline was probably the most annoying, but even that storyline, I didn't feel as though I wanted to skip over it. 5.5/10

Writing: I knew this drama was written by the same person that wrote My Ahjusshi, Park Hae Young (which I really enjoyed), so of course I was comparing the two dramas the entire time. This drama is dialogue heavy, especially compared with My Ahjusshi, which is something I typically don't like. However, I felt the dialogue was purposeful and listening to the characters expressing their thoughts was like reading a diary. Also, this drama is not dramatic at all, whereas My Ahjusshi had some intense scenes. It's very "slice-of-life"; very relatable. However, I think that those who have never struggled with depression may not relate to or enjoy this drama. In addition, this drama is very open-ended, more so than My Ahjusshi. Nothing is truly resolved in My Liberation Notes for any of the characters and this is completely intentional. Do I understand why? Yes. Do I like it? No, but I usually don't like open endings. While watching My Ahjusshi (it's been a while but...), I remember wishing I could just skip over the side stories; the main story was way more interesting to me. However, with My Liberation Notes, I had no desire to skip over any of the storylines. There's a time jump towards the end of the drama that was a bit jarring. I think it's because things drastically changed without preparing the viewers for it. Also, the story wasn't linear anymore and kept jumping back and forth between past and present. I liked the Mr. Gu character, but he wasn't nearly developed as much as the other main characters. In consequence, his character felt sort of hollow towards the end of the drama. I thought we would get more back story on him but unfortunately, we never do. In any case, this drama seems like it's based on a true story, but to my knowledge, it isn't...it just feels very realistic. So in that sense, the writing is well done. 8/10

Direction/SFX/Music: The vibe of this drama actually reminded me of Something In the Rain rather than My Ahjusshi. My Ajhusshi felt much darker. Maybe also similar to One Spring Night or Twelve Nights, except with a ton of dialogue. The OST is not my cup of tea but its fine. It has some variation to it. Listening to the OST on its own seems like the drama would be a lot happier than it actually is though. 5/10

Entertainment Value: This drama put me into a weird state of mind. There have been times when watching certain dramas would trigger depression in me. However, what I felt while watching this drama wasn't exactly depression or sadness and it wasn't quite calmness or hopefulness either. It was a strange in-between. Maybe melancholy? I found myself slowing down my movements, even my breathing. It was to the point where I was holding my breath in a lot...sort of like when you're sick or injured and you're trying to avoid exacerbating the pain. I never experienced an effect from a drama like this before. I didn't know if I liked this feeling or not, but I must have to some degree because I kept wanting to jump back into their world. Now that it's over, I'm not missing that feeling...I think. Anyway, I found myself hanging onto every word Mi Jeong spoke. I saw myself in her, but with one major difference - she seemed to have discovered the answer to her problems. I was looking to her for a revelation, but I'm still unsure of the hidden answer that she seems to have found. But then again, maybe she didn't actually find it...maybe she's just on the right path. I still don't understand how though. So, the drama left me feeling unfulfilled. 6/10

Overall, I gave this drama a 6/10. This is largely due to how incredibly open the ending itself is (as I personally tend to dislike open endings) and the change in the progression of the drama towards the end. A rating of 6 and above is in the "would recommend" zone, and yes I would recommend this drama if you like the slice-of-life genre. However, I think someone who hasn't struggled with depression may not like this drama and may find the characters annoying. I was able to relate a lot to them though.

I made a music video featuring Mi Jeong and Mr. Gu. It's called "My Liberation Notes | Mi Jeong + Mr. Gu | Greedy" and my channel name is The Enablers (@theenablers3846).

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A promising drama about finding happiness and moving forward pulled back by awful tropes

Finding joys in life and learning to enjoy the many details in things is difficult, and that struggle is amazingly captured in this drama. Three siblings find themselves in a hopeless rut, commuting, working, and barely living. What ensues are antics, attempts, and pledges to live better, more fulfilling lives.

Unfortunately, this drama is plagued by some of the most common tropes in Kdramas. A mysterious character (Mr. Gu) is actually running from mafia-themed problems. This kind of random action genre isn't needed in a drama like this, and is often jarring in terms of pacing and storytelling. Not every mysterious character needs a dramatic backstory like this, and in my opinion he would have been a better character without it.

However, the sisters' arcs are the bigger issue. How can two main female characters have their story arc be resolved by relying on a man in 2022? Yeom Mi Jeong finds solace in having Mr. Gu worship her, and slowly gains confidence from them being acquainted. Her older sister, Yeom Gi Jeong, is worried about finding a relationship, and how to deal with all the emotions she has when she eventually gets into one. Both sisters are built up by their relationships in the end, learning to take life one step at a time. But do we really need both of them to learn this by seeking a man? Yes, you will need to rely on others and their support to get you through tough times. No, you do not need to explicitly have a relationship with those people for that to happen. Frankly, it's just unacceptable for two female leads to still require romance arcs in 2022 to actually learn or do anything.

Overall, the drama is well-acted, and it's pacing is excellent but can be too slow for some. The inclusion of bad tropes though is a huge negative for what this drama could have been. The drama does not live up to the potential it has, and I think it would be more well-received if it kept with the slow-burn slice of life genre throughout the entire show.

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Sing when you can not dance.

Uncertainties of life that should help us come out of our shells, often end up holding us back, and what life demands us to do is, put some efforts and liberate ourselves out of the incertitudes. After all, we do not notice that we are chained until and unless we move. What we are repeatedly reminded throughout our difficulties is that, real liberation is not achieved by burnishing and covering the painful memories, rather by experiencing it to the entirety. The drama is a reflection of numerous paths of liberating yourself, on your way to eternity and fulfilment.

Jointly produced by 'Studio Phoenix', 'Chorokbaem Media' and SLL, "My Liberation Notes (나의 해방일지) [2022]" is a 8 billion won budgeted slice-of-life Kdrama. Reuniting writer Park Hae Young and director Kim Seok Yoon after 11 years, the show was broadcasted on JTBC and internationally distributed by Netflix.

The show takes place between the contrasting vistas of a quiet countryside, namely Sanpo of South Korea's South Gyeongsang Province and busy metropolis of Seoul. The show follows the life of three 'Yeom' siblings who are enervated of the sameness of adult life and their mysterious neighbour 'Gu' who is always by himself. As life happens to these people and the ones surrounding them, they set out on a prolonged and endless road, seeking liberation and eternity.

Yeom Gi Jung (Lee El), the oldest of the siblings, is huffy & short-tempered who always complains about everything, making silly judgements; yet wishes to find love and fulfill her life. Yeom Chang Hee (Kim Min Ki), the middle sibling, is awfully outspoken who despite of his crave for better life doesn't really have a goal and spends his leisure meaninglessly. Yeom Mi Jung (Kim Ji Won), the youngest, is faint-hearted and introverted who feels unfulfilled in her boring life, coveting to escape from all her worries. Mr. Gu (Son Suk Ku) is the closest next-door ahjussi who has recently moved to the neighbourhood and a drunkard who talks less and prefers to remain by himself.

Chun Ho Jin (Yeom Jae Ho) is the siblings' father while Lee Kyung Sung plays their mother Kwak Hye Suk. Ji Hyeon Ah (Jun Hye Jin), Oh Du Hwan (Hang Sang Jo) and Suk Jung Hoon (Jo Min Kook) are closest neighbourhood as well as childhood besties of the siblings. Cho Tae Hun (Lee Ki Woo) and Park Soo You (Park Sang Min) are Mi Jung's colleagues. Other familiar faces in the supporting roles are: Choi Hee Jin, Yang So Min, Kim Ro Sa, Jung Soo Young, Kang Joo Ha, Choi Min Chul and Kim Min Song.

Plot development is not a thing when you talk about slice-of-life genre and the show had the same case, for it doesn't indicate a particular direction or destination, that the characters must reach in order to imply an ending. Well, MLN is not feature obvious, with a gripping conflict or larger-than-life charactes. But them, their everyday desires, their disappointments, their emotions and their actions & reactions to what's (not) happening around them has been beautiful sketched and well developed. The show is quite for most of it's parts but still interesting, engaging and most importantly eternally healing, which makes it worth the time invested. The major characters go through a slow burn process, i.e. they don't change over the course of time, some, nor by the end of the show, but it affects us, the viewers, and that's the miracle of MLN as well as other slice-of-life shows.

There are times, when the conversations are very deep; people in duo or group talk about things that is deep-rooted in their souls, affecting their lives in ways that they didn't expect it to, and then the next moment, it turns into a talk about utter bullsh*t, about some stranger narcissistically screaming on the street or some chocolate teapot or a sack full of hammers (metaphorical). To put in simple words, sometimes it moves your heart but the next moment it's stupid and doesn't make sense. But all of these boils down to the very fact that you enjoy, relate and relive it and don't you think that's only "life" ? About the ending, it's pretty sorted and greatly satisfactory. Letting aside my personal feelings and rationalizing have the same results. I can't call it an open ending since it's a slice-of-life show and the ending of such always implies that our lives are continuous and life goes on even when the show comes to an end. You can pretty much draw your own conclusion, very easily.

Park Hae Young PDnim is one of the most respected names, who, with her relatively less created pieces, have been able to win hearts through her skills of storytelling in slice-of-life vignette. MLN has been a transporting story, with the ability of transcending into both beauty and disaster at the same time. Utilizing realism, jakkanim has attempted to examine small & ordinary yet powerful narratives of daily life. Mr. Gu's part of sure is a bit wilder for such genre, but you know, what? There is no such rule that a devil and it's tale can't be a part of a coming-of-age story (He ain't an evil man, if you're guessing so from the statement. It's generalized.). In an overall sense, jakkanim brings out the best possible characters, with their compelling environments or spaces they tend to, by drawing scenarios that allows us to relate the pieces with our very own experience.

Director Kim Suk Yoon PDnim with the fair share of experience of working in both thriller and softcore genres, including MLN, have been able to evince his skills through various dramas over the last 'half the decade'. The primary motto of the drama, i. e. the emphasis on the very moment, with the intent of focusing the audience on that moment rather than using that moment as part of a narrative, has been accurately executed, with lots of sense. The incorporation of touchy monologue notes and the flashbacks of foregone days, are of great interest with their ability to stir up both joy and misery, at the same time. The screenplay attempts to triumph over emotions by means of creating a still, tranquil and taciturn mood, and I must mention that this makes the show unique.

The framework of the drama is not set up in a colourful and fascinating setting yet something about the characters' environment will make you feel riveting & compelling throughout, hence proving once again, how it's a perfect example of living upto it's genre's essence. The pieces & elements of the drama offer insight into the small, common moments that might go unnoticed in bigger stories. Indeed, it has many conversations, actions and reactions that might feel unavailing, but it's a matter of time, you realize that you're living the moment, seeing yourself in the characters and have been a part of such discussions. The contrasting features of Seoul and Sanpo will often change thd vibes it radiate, while allowing you to capture the beauty of different realms.

The cinematography is beyond pleasing, I can't be lying. The art of storytelling through stills and visuals of this kind is definitely not new in Kdramas, however, MLN chalks up to recreating a narrative of idiosyncratic judgements. The makers attempt to enable the audience to live the essence and the way the presentation is drafted through vehemence is praiseworthy. Witnessing characters through refractive lenses (of the audience) by fetching and fluctuating camera angles, often from one's face, to a nearby glass frame were both palliating and allaying. The obliquely focusing camera, often alters into unorthodox minds of ingenious thoughts.

The two words the drama emphasizes on are: liberation (해방: haebang) and worship (추앙: chuang). Mi Jung's greatest force for personal liberation was her decision to widen her periphery of compassion as well as leniency, moving from focus on service to focus on self, which might seem contrary to what life demands, however, self-care has been of greatest value over years and we should be admiring the way she disenthrals herself throughout. Her portrayal constantly reminded me words from Paulo Coelho, "The beauty of truth: whether it is bad or good, it is liberating." Humble heart is the true contribution to worship, and to worship someone is powerful device that is able to dismantle every shackle and its able to breakdown every wall, of own and of the one you put at centre of your heart. Mr. Gu proved himself to be a good worshiper by enabling Mi Jung's life to be found settling within his soul. Robert Webber rightfully quotes, "Worship is an it-is-well-with-my-soul experience.”

Yeom Chang Hee and his life hacks; his agressive and loudmouth talks which can come off as rude and annoyance, is always contextualized, no matter where you see him. This guy, that guy, the talkative guy who always tries to shove knowledge into others, ends up making them realize that he actually makes sense. His facial expressions always imply that he's good intentions and that he really means what he's saying. Even with these, the way he strives do better in his job is commendable. His failures to achieve something might have let him down, but he immediately finding relief in little & meaningless things, have comforted me each time. Coping up with results in way that brightens your spirit, is what you must learn from him.

Yeom Gi Jung and her love interest; the one who might be picky and hasn't been able to find anyone to be able to love despite her age, ends up crying at the end of the day for being so miserable. With the guilt of committing wordily mistakes, she constantly tiptoes around people. To her surprise, when she falls in love with someone unexpected, she finds herself in a complicated situation where she has no path to chose, but remain at the same point. However, the way her life takes a turn, bringing immense happiness to her feet, it is alleviating to witness her tears of joy. Sticking to your persona and being patient can result in fruitfulness is what you can take home from her.

Yeom Mi Jung and her misplaced emotions; not like she hasn't tried, but then, not like everyone succeeds even after multiple and constant attempts. Time doesn't heal all wounds. In a family where emotions are not transparent, in a workplace that doesn't appreciate and in a friend circle that doesn't understand, she must have feel suffocated and wronged. So, it's actually coherent & lucid, why she wishes to break free from everything and run away as far as the road takes her. The constant urge to become liberated from all her worries has made him into a cold-hearted woman. Consistency, straightforwardness, know-how and maturity are what you should be able to receive from her.

Mr. Gu and his mysteries; aahhh! What a personality and what a development. The way he walks, carelessly and as if it's tiresome to even move, the way he stretches his entire body & neck in order to avoid what's happening around him, and staring up the sky aimlessly, and his facial expressions, that includes reactions to what he's told; I am mesmerized how all of these transcend into a feeling of admiration and respect to this character. He was indeed full of mystery; talking less, remaining by himself and drinking all the day, it was crystal clear that he bears something heavy in his heart. Yet, stupefyingly, he inspires others, makes others think mighty of him and uses no effort in allowing everyone fall for his aura. Take as much as he offers. And on that note, Mr. Gu is the new crush of millions" including myself; I had seen him before, but the difference persona and his character are what aroused my heart.

"My Liberation Notes" in many ways establishes and emphasizes various forms of friendship. The very fact that we vibe differently with different people at the same time, even within the same group, has been beautifully demonstrated. ''The things we share with our friend A, we can't spill that to friend B' " sorta feelings. From neighborhood buddies to workplace collegues and from school classmates to long lost acquaintances, MLN throws light upon both the importance and complications of each.

One of the many silliest means of liberating yourself, that has been portrayed through the acts of the characters, throughout the drama is "moving your feet"; be it a tiresome walk or a simple strolling or a breathless running. As you walk/run and think at the same time, the worries and burdens might evaporate away little by little, if not entirely, and that actually helps. As you watch the drama, you will realize that there are actually plenty of scenes where the characters are only moving forward with monologue notes accompanying them, and those were actually gratifying and alleviating, or in the words of the writer, "liberating".

Chang Hee's admiration for Mr. Gu, the way he looked upto him, him calling 'hyung' and was able to extract out inspiration from Gu's life, was quite an intrigue. Even with no definite bromance, MLN showcased a meaningful non-romantic bonding between two men, who despite of their personal conflicts, were able to unbar the ways to relief & salvation. I can go on about how I felt looking at Chang Hee's eyes & emotions for Gu-shi multiple times.

Composed by Kim Tae Sung PDnim, there are 12 OSTs in total, including one which has both male & female versions. Most of the songs are soothing and assuaging, which depicts the slowburn theme and realistic essence of the show. I can't say the entire album is my favourite but sure, I like all of them.

# "A Kind of Confession" is my most favourite track which has both female and male versions, sung by HEN & Kwak Jineon respectively. It reflects a realistic love that is unpredictable and full of uncertainties.
# "I Think I Know" by Isaac Hong accompanied Gi Jung's love story as an appreciation to souls that heal each other.
# "Here We Are" by Kim Feel is a song about the wary of life delineating melancholy and I believe it was dedicated to Mr. Gu.
# "Deeply" by HEN, as it's title says, is about deep assessments of the events of our life.
# "To be together" by Lee Jung Hyung reflects the warmness from the embrace of love. The prelude theme of the track is used as the intro of the show.
# "Laggard" by Shin You Me is a track meant for Mi Jung and her introverted spirit that urge to come out of the shell.
# "That Day" by The Orchad is a mildly jolly song about the brightful days of expressing and experiencing love. It was for Gi Jung.
# "Be My Birthday" by Ha Hyunsang was a soulful rendition about all the first time that you get to live after falling for someone.
# "We Sink" by SWAY is an upbeat composition about the thick & thins of life, that bring forward variable opportunities, which in ways, emphasizes on Chang Hee.
# "My Spring" by Lee Soo Hyun is a softcore track about the feelings of times spent with your soulmate.
# "Diamond" by 9duck is another jolly track which radiates admiration for the one you love.

One of the many moving elements in the drama was Mi Jung's desire to be able to reminisce about past where she herself is be-seated by her younger self's side, enjoying the views she really loved and Mr. Gu suggests her to remember the very moment and remind it when she turns old, because by then, the present time would be her younger version. Similarly, I would like to mention few of short yet relatable and favourite dialogues which aren't actually spoilers...

# "I feel scared of being honest."
# "Suddenly, I feel lovable."
# "You should know who you are."
# "Now we can say, we have watched stars together."

Before I sign off, I would have loved to talk about "my liberation diary" and the "haebang (liberation) club", the most motivating idea of the drama that puts Mi Jung at the centre, but I truly want all of you, reading this, to witness and experience it by your own.

Final Remarks... Ahhhh! That's how you express yourself with drama that could imply to a plentitude range of emotions and thoughts, throughout. Coming to the last part of my review, I am not sure whether or not I was worthy of writing this piece, for it is so beautifully contented which not only took the characters in the journey of liberation, but also helped the viewrs learn how to liberate themselves. With great production values, fascinating script, fabulous execution and beautiful outcomes, this is one of the best slice-of-life Kdramas ever produced even so it didn't have a noteworthy viewership record as it aired. I wish it could reach a lot more people but I also believe, good things always find their ways to those who deserve. With this, I must not forget to express my gratitude to the cast and crew and everyone plus everything that's involved in bringing out "My Liberation Notes" to me. Thank you, so very much!

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If the drama never had Son Seok Koo...

These days I tend to hear words like toxic, red flags etc on the internet a lot to which I anticipate if were made in a drama it would be this. Its easy to criticize sitting at home behind a screen where in real world the production team works so hard for, so I tried to empathize with the efforts of the people involved while speaking up. But the level of annoyance I had watching this made me compel to come up with a negative review. The major reason for show's popularity in my opinion was the actor SSK charms (and I am not unharmed btw for if he looks into the screen and I die blushing; hot would be an understatement for this man ) So here I am taking off my SSK lens and asking viewers to take the story as what it is.

The good parts for me was the quality of direction and dialogues (whatever little it had). The silences around the characters were beautiful. The one who stood out the most was Change Hee. By no means he was any different or dare I say likeable to any extent. It was the depth of Chang Hee which was portrayed through his monologues which touched me. He knew life was not what he wanted and he exactly knew why. It takes so much of strength to admit your own shortcomings and blame no one but oneself for it. Given the choice to betray the family and live life on his own terms he would still be there doing his part for the family. He was this kind of a person and the actor suited him well. Such kind of complex character could have been done by a veteran only and respect of Lee Min Ki skills.

Coming to the sisters, one who thought being in love was her only purpose and another who complained how her parents did nothing for her yet when a man who never spoke a word to her bought her all the happiness she ever lacked. Seriously what?! If the main motive of the story was to address the superficiality and taken it as issue, I would have been up for it. However what it did was to romanticize this which really got on my nerves. Even towards the end Mi Jung and Ki Jung never admitted how mean they were to their parents who btw sacrificed so much for their kids and got nothing. The actors were good but the script lacked I guess.

I am choosing to remain silent for Mr Gu's character, period.

There was a concept of the Liberation club which was unique and intriguing, more became a club of people coming together, crying they have an issue (which btw the viewers were already aware before the formation of the club) and then nothing. What do you expect me to do? Empathize with random bunch of persons crying ?

Anyway if you want a good slice of life drama, there are way better ones out there. The very core of this drama was bs for me and would never recommend it in my sanity.

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Come to watch My Liberation Notes with high expectation and end up with great disappointment

With so many good reviews, I was anticipated this drama to be one of the best. First couple of episode look promising, characters were intriguing and storyline was interesting. However, then the drama started to drag and becoming boring. I end up skip all the middle episodes and watched the final couple of episodes and did not miss anything. None of the characters make me want to continue watching them. The endings were nothing special, you can kind of guess what would happen in the earlier episodes. If I am going to watch three siblings with dead end lives, then my life must be more pathetic than theirs since I am wasting my time watching theirs.

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Slow but wholesome

I am not the one to wait for something eventful to happen in a drama. if it gets boring, i drop it instantly. But for some reason the liberation notes made me stick to it till the end. Not gonna lie, it was too slow yet i could relate to it. All three siblings and their problems were too realistic. I was rooting for them and secretly hoped to find my way through them. Perhaps some words of motivation or a hope that it gets better.

In a way things did change for them at the end but not soo much as one would expect. That’s why the story is too realistic and bit bitter at times, it’s not those big drastic changes but tiny ones at a time that keeps them going. The portrayal of the family and their bond was soo organic.
Mi jeong wanted to liberate herself from her toxic workplace and her situation.She did stood up for herself at the end and gathered the courage to move to a new workplace. It might not seem like a big deal for some people but for a person who is a doormat, it’s a huge deal to stand up for themselves and it takes a lot. In the end Mr. Gu also returned to her. It wasn’t that grand happy ending but i guess it was a new start for her.
The older sister, ji jeong, wanted love, a partner and got one, even though, he had a complex background and all was not well in their relationship yet it was also a new beginning for her. Change always comes with a price.

And the brother, Chang hee, found a new purpose for his life after working hard for years to get a promotion or to own a store. Yet one thing i didn’t understand was why he and hyun ah broke up?? And why was there relationship toxic?? Also, It was soo sad that the siblings got to move to Seoul after their mother passed.

The only thing that bugged me was that ending could’ve been better. Ending wasn’t a perfectly happy one, it was bit unsettling yet it made a point that in order to get what you want, you need to get out of your comfort zone. And change comes with a price.

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Slice of life that was just too slow for me.

First I'll say what I liked...
Great acting, diverse characters, intelligent lines (dialogue), which were brought together really well and perfectly executed.
Understated acting in a drama that contains little action or romance to fill in gaps and quite a few scenes that involved little or no dialogue, really tests an actor's abilities.
Viewers will have their own take on what this drama represented. For me, it was about regrets, being stuck in a dead-end life and reaching a point where that hits you and questions then raise their heads about what the point is and if that's it. One's own worth is even questioned.
The pace, however, killed it for me.
There are slow, gently unfolding dramas, that I have loved. I don't need murders, horror, steamy romance or laughs-a-minute. I do need SOMEthing to pull me in though.
If I had watched this drama after it aired, I would have dropped it.
Watching it air, however, I stuck with it, as 2 eps a week I could watch.
I do feel it picked up, but only in the very late episodes. The rest were like watching paint dry.
It was claustrophobic, often miserable and with some horrible characters. I couldn't stand Ki-jung, the older sister; even outside the house, where she seemed to be supposedly 'quirky'. I felt sorry for her once and that was short lived.
Tae-hoon's sister, Kyung-sun, was also repulsive ~ totally selfish and a complete martyr, who made a decision in her life and then used it to whine and bitch.
Chun Ho-jin as the father, was excellent, although I don't think he'd have had a problem learning his lines.
Lee Min-ki's character of brother, Chang-hee, was my favourite. Terribly immature in his behaviour at times, but very self-aware. I think all the father's dialogue was allocated to that character too!
The ending felt abrupt, not so much because of unanswered questions, but because I found 2 storylines really odd in how they were left. It was almost like the script writer couldn't be bothered. Perhaps they didn't know where to go with those aspects, or were trying to be life-like... which doesn't always make sense. I don't want that side of reality in a drama though, thanks, as it's just frustrating!
I don't think I chuckled, never mind laughed, once.
The title that represents what the drama portrays, is tenuous, to say the least.
I found the story and script very disappointing and it is definitely not one I would ever watch again.

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Melancholy Slice of Life

I'm not the biggest fan of slice of life dramas but there is something strangely satisfying and cathartic about this one. "My Liberation Notes" is more about the mood than a specific story, which usually feels too tedious for me to enjoy, but because the characters felt so vulnerable and relatable I ended up liking this drama way more than I expected to. This isn't your usual dose of escapism. The characters here are mostly solemn, depressed, and disappointed with the life they live. Still, there's something inspiring about the way their stories evolve and something honest about how imperfect they all were without being too sad.

The leads in this story are 3 siblings who live with their parents in a rural small town despite working in the big city. The family is very close as far as working and surviving together, but not emotionally. One dreams of success, one dreams of true love, and the third attempts to be less apathetic about life in general by sparking a connection with an alcoholic stranger who works as a day worker for the family while barely saying a word. The alcoholic stranger is actually my favorite character and the mystery surrounding him was my favorite part of this drama. Son Seok Koo as Mr. Gu is just HOT. He has dysfunctional Bad Boy Swag that is somehow irresistable even when he's silent. I'd probably drop by with a few soju bottles if I were Mi Jung too! I'm also gonna steal her "worship me" line, but I don't want to spoil even a little bit about their chemistry by saying too much about them. I'll just mention that I liked Kim Ji Won way better in this than "Lovestruck in the City".

I also liked a lot of the supporting characters. The man of few words dad, the worried mom, the small town friends, the woman from HR, the single dad... every single character supported the main theme well while bringing their own unique perspectives to it. There are no throwaway or one dimensional characters.

Oh, so what are the actual liberation notes? Inspired by every introvert's nightmare, imagine your job forcing you to socialize with coworkers after work as a job requirement. 3 coworker holdouts (including younger sis Mi Jung) presured to join one of the offered after-work group activity "clubs", decide to form their own club that they name the Liberation Club. Although just reactionary at first it becomes a place where they can vent and reflect on what they want to be liberated from in life with the silent support of the other members. They write their thoughts in their own personal liberation journals which inspires the title. It's not the main focus of the plot by any means but it is a benchmark for being more proactive about the lives the characters want to live, which is what I think is the main theme.

This drama may seem boring if you are expecting something major to happen, and I can see being annoyed by hearing some characters constantly complain or being perpetually moody, but I think what this drama does well is making disappointment, loneliness, and depression palpable. Is a good life about changing your circumstances or your perspective? What does it really take to feel happy or satisfied? I think this drama may not have an exciting storyline but it offers up some interesting perspectives on life and life choices.

If I'm honest, I would not watch this drama again unless I was feeling really emo. This is a raincloud sky dressed in all black full Eeyore emo drama. I also wasn't completely satisfied with the ending, although it made sense to the storytelling style. Maybe part of me still wanted something less vague for closure.

Overall, this drama is a mood. If you can relate to feeling lost or unmotivated you may feel seen, or feel inspired to start journaling with no pressure to be profound. I did find out after finishing that the writer (Park Hae Young) wrote "Another Miss Oh" one of my favorite dramas ever, and "My Mister", and although this drama is completely different, the interesting character dynamics, family relationships, and honest to a fault perspectives is refreshing once again. I look forward to her next drama. I was caught off guard with moments of unexpected laughing, ugly crying, and seemingy mundane moments that had me truly intrigued. I recommend giving this drama a chance and you may be pleasantly surprised. Make peace with the slow pace, the unresolved relationships, and the full on sads and you may find yourself truly touched.

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Pill that is very hard to swallow

This show is a pill that is very hard to swallow..

The initial story setup I felt was really good and had a lot of potential. Characters felt unique and interesting and show had a very promising start as well.
But as the story progressed and reached its final destination it felt unsatisfying and shallow...

I think the ending really puts into perspective what the writing was trying to do in the first place. The writers was more interested in the philosophical aspects( conveyed through dialogue and themes) rather than the characters themselves. Every story arc seems under-utilized. There are so many story threads that was unexplored or blatantly ignored.
The best example was Gu's past. They just used the past just an excuse for why he is drunk all the time. We never fully understand what happened, why was she important to him or whether she was important at all.

Acting was overall top notch special mention should be given to Son Seok-Koo. The charm charisma and the ultimate dread he brings to the role was really great to watch..

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Each new person we meet is a new chapter in our life.

I want to be completely honest - this is my subjective take on the show. I feel like My Liberation Notes is a drama one either vibes with, or they don’t. I don’t. It’s not like I hated it, but I was not as moved, touched, absorbed by it as other people. It had a fair number of elements I enjoyed, but overall, I was not invested.

I think my biggest reason for disconnecting was the fact I did not relate to any of the characters and, at the end of the day, it is a character driven show. Yeom Mi Jung? Extremely unlikable for the majority of the episodes. I completely gave up on trying to like her when on one hand, she complained how no one ever made her feel alive and whole, but at the same time said she herself never really liked anyone.

I understand that all the depression (probably more specifically dysthymia) symptoms she presented must have been something many people related to. I am not a stranger to these feelings myself, and yet, I could not be on board with what they tried to present with her. Admitting on the side though, the last episode changed my perception of her character quite a bit, and I liked that a lot. They hammered a specific picture of her, and then gave me a 180 change with a new perspective delivered with just one line. Whatever I did not like about how she was written became less valid at that moment.

That said, putting aside whenever she was likable for me or not, I do appreciate some aspects of her personality. The fact they broke away from the “shy introvert” portrayal many dramas have. She was not shy, she was simply not interested in people. Sometimes people who don’t engage in every social interaction are not shy, they just don’t care. At times her inner dialogue and conversations with people made me think she might even be asocial, one step further than introversion. If we truly listen to what she was saying, I still have to appreciate that it’s just who she is - there is no trauma, no social phobia. She just does not like people that much and prefers solitude.

Then we have Mr. Gu. I liked him a lot at first. The mystery around his character in that rural area made me curious about his story, but they dragged it for too long. When I finally found out more about who he is, I was not that interested. It was a well done suspense, since me and many people wondered about his identity, but I feel like keeping the viewers in the dark for so long took away from him as a character. On the other hand, one could say he serves as a good contrast to Mi Jung’s journey, and the different pace they both took in figuring themselves out.

While Yeom Ki Jung was entertaining to watch and one of the reasons I pushed forward and finished the drama, I found her arc a bit one dimensional. At some point I started to feel like her obsession with finding a man was overshadowing the underlying issues she has. It felt like a comedic bit, that is not quite funny when you truly think about it. That said, her romantic endeavors were enjoyable and endearing and for me, she was easily the most likable of all the siblings.

I don’t really have much to say about Yeom Chang Hee, except for the fact he was underused. His interactions with Mr. Gu were amazing and I would love to see more of them - that friendship could have been an interesting addition to the story. I am honestly not sure what his purpose in the drama was. I get the vague idea, but for me his characterization lacks focus? He shined the most in the last (around) four episodes, and I probably enjoyed him the most at the time, out of all the characters.

One of the aspects about the drama that can be either viewed as a positive or negative thing depending on the preferences, is how the main characters were not that well defined. A lot of aspects were left for interpretation. I was discussing the show with many people as I was watching, I also read many comments and takes on the plot progression and characterization, and I have to say - many people had quite different takes on who the characters were.

As far as I see it, it’s a good thing. It’s not a “play in the background” type of a show. The true value comes from wondering about it as the episodes end. Trying to understand the characters. And since everyone looks at them from the lens of their own private experience and personalities, it’s given that they will see different things in them. It’s the viewers who add depth to them, their interactions and plot development. So for me, who was not engaged enough to feel motivated to do that, the drama lost one of the most important aspects.

I know a lot of people love the dialogues and inner monologues in this show. I completely agree they were well written, but they were also repetitive. A lot of them were talking about exactly the same thing, just with different words. So at the end of the day, we end with exactly the same issue - you either relate to the lines and love them, or you don’t and you find them boring.

While they went into detail about Mi Jung’s inner struggles which led to many people appreciating the show, I also feel like a lot of aspects suffer because of it. The relationship between the parents being one of them. Literally all the supporting characters. The biggest let down? Underuse of Liberation Club. I wish there was more focus on this rather than Mi Jung and Mr. Gu together. Using the writing note as a way to deliver the inner monologues was used just a few times, overshadowed by emo train rides that took the spot for the narration time.

That said, with all the complaints I had, they are all subjective. The same things I complain about, other people name as the reasons for loving the show - depending on the perspective. As I said, you either vibe with it or you don’t. It’s really consistent with how they deliver the mood and message, creating a well composed picture. The acting, writing, directing, editing, soundtrack - everything fits well together.

Overall, would for sure recommend to anyone who likes slow paced, character driven shows that focus on daily lives and struggles of normal people. There is no reason not to check it out. It's a good drama, it just does not try to cater to every viewer, and as a result, it might not resonate with everyone. But you won't know if it's something you will see as a true gem, unless you check it out yourself ;)

Ps. Refrain from telling me maybe the genre is not for me. It’s not the genre, it’s this specific show.

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