Didn't hit the jackpot

A strong, solid and gripping introduction that captured the expected theme perfectly, accompanied with thrilling gambling scenes. Choi Min Soo instantly pulled all the attention to himself. He did such an amazing job embodying this harsh intimidating king. However, it wasn't all sunshine and roses, most of the glamorous elements that made the drama attractive were evaporated after 3 episodes. A handful of useless characters may come and go. The gambling became a secondary plot device. Stretching the drama thin and long by introducing three mini-bosses like an anime arc. The main lead was equipped with impervious plot armor eliminating the tension and risks. He may suffer irrecoverable fatal damage just to be resurrected from the depths of hell because the drama can't continue otherwise. A handful of other writing problems that kept holding the drama back sprinkled throughout. The only character that remained interesting was King Suk Jong, waiting desperately for his next scene of which they were scarce for a main lead. Yeo Jin Goo should stop picking up king/historical roles, he might be one drama away from being entrapped in typecasting hell forever.

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An embarrasing piece

It started off on a decent note but hit a major roadblock somewhere shortly after, a big nosedive out of nowhere! Disrespectful atrocious writing, to say the least. You may witness one of the worst written plot devices and tension management here. I was willing to give it a chance in the beginning despite the setback, but my interest plummeted faster than a rock when the male lead got entangled with that deplorable love interest plot. In fact, this applied to all of the four female leads. The momentum sputtered and stalled like a car running on fumes and the leads were stuck in first gear the whole time. The potential for a captivating narrative was there, hanging in the air, but the execution was practically non-existent. I'm fairly certain this is the worst drama Jang Hyuk picked up in his career, hopefully the last.

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Watching men

The drama attempted to explore the supernatural realm through the eyes of night watchmen which were a small tiny portion of a drama titled after them. The drama actually had a reasonable start but a few episodes later it got lost and scattered with no clear direction. It got increasingly messy the longer it went as it was struggling to fill its 24 episodes. There were some strange out of place pieces of dialogues that can be labeled as incoherent nonsense. In addition, a lot of inconsistencies with the characters, poor motives and sudden changes contrary to their established and developed character. The OST was awful, it was like listening to a bad cover band in a dive bar. There were moments that caught my attention but they fizzled out quicker than a damp firecracker.

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Kidsters

Literal kids playing mafia. Anyway, the drama was full of cardboard characters and you may expect an amateur level of performance, editing and writing to match it. The plot felt convoluted and disjointed, struggling to maintain a coherent narrative throughout the show. Characters lacked depth and development, making it challenging to emotionally invest in their arcs or connect with their journeys. Their personal relationships didn't intertwine well with the story either. I was looking forward to see Uhm Tae Goo but the drama wasn't worth it. I find this period and setting of Japan/Korea to be the worst to watch through any media. They "almost" don't know how to go on about it. I could count a few rare exceptions on one hand.

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Horsing around

Why the hell do we need a love square in a horse/medical drama?! Really trying to inflate the 50-episodes runtime as much as possible for such a straightforward material. The drama itself was too vanilla and bland. I wish there was more to the drama than that, maybe exploring more interesting medical cases/areas. Speaking of medical, this is another drama with a godlike doctor and a godlike acupuncture skills that can resurrect the dead and create new life with little to no room in having reasonable stakes. Other dramas with godlike acupuncture skills that comes to mind are: Heaven's Order (2013) and Hur Jun (1999)/the Original Story (2013).

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Jang Hyuk can't bring miracles

Unfortunately, Jang Hyuk playing the same character he played in The Slave Hunters (2010) and that alone was problematic in that one. Unlike The Slave Hunters (2010), this one had a lot of interesting ideas and plot threads but they never reached their full potentials because it came at the cost of shoving flashy fantasy elements instead of keeping it grounded to reality, a case in point super-swordsmen flying and dashing. On the other hand, the "deep roots" plot was a massive clusterfuck of bullshit and was its weakest part. Not only that, the final battle/fight that we were anticipating for so long turned out to be quick, short and utterly disappointing. The ending isn't even surprising, it was obvious from the first episode that the ending will certainly flop. Add to the fact this type of ending was the dominant trend in 2000s/2010s, especially with project that managed to have a good viewership.

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Good cop, bad cop

Not enough "duo" action when taking into consideration the 32 episodes runtime. I don't feel the drama managed to accomplish anything with its story. The entire drama was structured around the duo but we barely got a few "duo" moments. Their paths don't intertwine as often as you might think. On the other hand, I found the romance quite problematic. It overshadowed big parts of the story and ruined some plots more often than not. Love interests and romance rivalry were two poor elements the drama tried desperately and continuously to shove in our faces. Of course, the ending was terrible as expected.

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If only they cared....

An okay first half followed by a significantly worse second half but that wasn't enough as it fumbled the landing even harder. The drama massively under-delivered on the ending and everything it was building up for 24 episodes. The most laughable aspect of the ending was the antagonist, he was shown as a powerful big threat just to be dealt with in the most comical way possible at the end. The fantasy elements were passable with nothing outrageous other than the messy introduction. I certainly don't miss Bae Yong Joon, kinda under-delivering on his role as the main protagonist. Meanwhile, Lee Ji Ah earlier carrier was much more interesting and enjoyable than her latest roles.

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BAD

Where to even begin with this mockery. It's as appalling as it sounds. The journey of a dickless simp following a clown king who can't control his dick. They could have explored the world of eunuchs in many different and interesting ways but they choose to go through the absolute worst possible route and interpretation of eunuchs. I wonder which is easier, finishing this drama or castration? Writing, story, direction, cast performance, sound design, cinematography, production, and characters were all abysmal by any measure. If you were to look through the last few episodes you'll realize even the writer was fed up with the drama and turned it into a hate writing. Even if you were a big fan of one of the cast members, I don't see this being worth it.

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Not so great of a king...

How to fill 86 episodes story? Shove a ridiculous amount of side stories while giving little to no attention to the story of the king! The king often felt like a side characters until he gets his moments every once in a while. These side stories were abysmal to follow through, they don't really contribute much to the drama and the characters involved in them usually disappear after that. Also, somehow they all had the same ending/conclusion, what even is the point?! This is the worst tale of a king I've seen, even when the king gets his moments it doesn't do a good job showing what made him a great king. Being soft and goodhearted isn't enough to convince us. It's mentioned in the synopsis that he invented Hangul, although that was the only interesting subplot but it didn't happen until the last few episodes. In contrast, the beginning of the drama with the king's childhood was the weakest and the worst part of the drama. The drama is extremely rough for what it had to offer.

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Blew it up!

The more I watch war themed dramas the more I'm convinced that this genre is best fit in a movie format instead of a drama. It's still a decent drama but consistency is rarer than winning the lottery especially with how they decided to end it. That time-skip ending was objectively and undeniably bad! What's even worse was how they tried to justify the time skip. Even if the writer was suborn and wanted to force a time skip ending, there were definitely many other ways to better layout the necessary elements to execute it in a meaningful and impactful way instead of creating a mockery.

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An attempt...

There was an attempt to create something but we got this. There was absolutely no need to have the first 5 episodes about her childhood then followed by another 6 episodes adulthood update. Her journey to become a merchant doesn't start until episode 12, almost halfway through!! Once again, the advertised theme doesn't get the intended focus it deserves, instead it gets bloated by redundant elements that take away rather than adding to the drama, case in point the love triangle. Why not delve deeper into the world of traders/merchants and explore all the intricacies surrounding it, it would make a much more stimulating experience. Anyway, the male cast performance wasn't good.

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The great king...

The drama features the type of king that would befriend the cruelest of enemies and forgive the greatest of sins. The embodiment of a true anime protagonist! I have way too many problems with the narrative to begin counting, even when disregarding the historical accuracy aspect. Loyalty has no real weight, decades of loyalty would parish and turns into a betrayal over a small lie. The drama does a poor job bridging its narrative and filling the gaps between historical facts and a drama production storytelling. Speaking of production, I would classify it almost unwatchable from a production value standpoint. Extreme overreaction and intense movement with every move from every single male character. Borderline comical circus behavior and it's a poor portrayal of the times of wars from back then. The make up situation was rough too and you can see that from the first 10 minutes. I caught some warped mustaches not lined up with the lips and some of them weren't even sticking properly with visible tape around it. The cinematography consisted of approximately 70% of extreme face close up shots, if you aren't far enough from the screen it will cause nausea. In my opinion, the drama had its climax and highest moments around the middle parts while the rest were a boring follow up with the last 20 episodes being the worst of storytelling. The only impressive aspect of the drama was the male lead's ability to maintain a deep aggressive vocal register with every word he muttered. His throat must be destroyed! Speaking of which, he might be a great king who concurred everyone left and right but he constantly failed to protect his people.

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