To be or not to be.

This is a short, gripping and dark crime drama that revolves around a grisly series of murders that are mysteriously linked to Aspergic forensic analyst Fang Yiren's estranged teenage daughter. In a desperate bid to find her, he teams up with Xu Haiyin, a resourceful but rather unscrupulous and ambitious young journalist to unravel the cases. They are an odd but effective team as his meticulous forensic work reveals the how while her intuition and ability to understand and manipulate people uncovers the why.

Joseph Chang's portrayal of Asperger's alone makes this drama worth watching. I would tear up at his portrayal of Yiren's frustration and inexpressible pain at his inability to emote and connect with people. Far from being oblivious (which would actually be merciful) Fang Yiren is well aware of this handicap that devastates his family and alienates his colleagues but yet helpless to do anything about it. Although I didn't like Tiffany Hsu's Haiyin in the beginning, I think her depiction of how Haiyin schemed to manipulate Yiren initially and ultimately came to understand and empathize with him was nuanced and layered. The essence of their chemistry is in the very lack of chemistry between them. The acting is so brilliant it pulls you into rooting for an unrelatable character and a dislikable one (initially). This is an almost unnecessarily dark drama; literally every character is dysfunctional, has family problems and/or smokes like a chimney.

For me, the murder mysteries were a side show and not the main meal. The plot is overly ambitious and weaves together too many complicated themes from mental illness, various social injustices, transgender issues, terminal illness, corporate greed, vengeance and, atonement in addition to the ultimate and super heavy question - "to be or not to be". While the first few cases were clearly linked, the intertwining of subsequent cases and relationships became more tenuous and were arguably unnecessary as Yiren's daughter was implicated in the very first case. The ultimate reveal was a surprise mainly because both motive and means were unconvincing and the acting by the main antagonist was very weak in sharp contrast with impeccable performances by the rest of the cast. It is a pity because what is missing is a deeper exploration of the father daughter relationship, something I suspect this production could have pulled off compellingly.

The production values are very high; it revels in impressively shocking and gruesome crime scene detail and unflinchingly exposes the mundane and exhausting clutter of ordinary lives. One of the things I really enjoyed about the drama is the proliferation of several dialects from the very expressive cussing unique to Taiwanese Hokkien to of course Mandarin and even Cantonese. But for all the high production values and effort, the last episode was really the weakest and the ending had an unfinished feeling. For some reason, this reminds me of Netflix's controversial but higher impact 13 Reasons Why, which is a much more focused and terrifying exploration of a few hard core subjects rather than a scratch on the surface tour of too many that is this drama. Nonetheless, the acting is superb and the story will put you in a thoughtful mood for some time.

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A few good men.

I always love all kinds of female empowerment, dark revenge thrillers along the lines of Kill Bill, Why Women Kill, Gone Girl etc. Like many similar themed stories, this one explores how when pushed too far, women can be a little bit dangerous. The success of these kinds of plots always depends on how ingeniously the "revenge" is set up and a few good twists along the way. This hidden gem of a short drama definitely achieves that and is worth watching for that alone.

At surface, the main protagonist Qiao Wei has it all - she is a beautiful socialite with a handsome, successful and adoring husband (Lu Zicong) and a young son. Her facade of a perfect life starts unraveling after a wild school reunion at a hotel reconnects her with her old flame Qi Kai and an old frenemy struggling journalist Su Yao. The hotel chef An Xin's friend Nicole saves the inebriated Qiao Wei and shields her from her Zicong's unreasonable jealousy and possessiveness. As it turns out, all three women have had unhappy experiences or axes to grind with Zicong or Qi Kai. Brought together on that fateful night, they come up with some gripping, badass schemes to free Qiao Wei from her unhappy marriage and serve up a Michelin star-worthy dish of revenge on these nasty men.

The only issue I have with this drama is that the tone and writing style of the first half of it is markedly different from the much better second half. I found the backstories of these women to err on the melodramatic side and it took me a long time to empathize with Qiao Wei. I just kept shaking my head at her appalling taste in men. But I found the friendship and rapport between the women to be very enjoyable and even though she is a bit annoying in the beginning, Su Yao is my favorite of the four. The writing in the second half of the drama really hit all the right tones for me - between darkly humorous yet psychologically thrilling, witty and subtle with a a nice dose of silent communication. It is like another writer took over and I really wish the backstories and some of the difficult issues in the first half were written in the same language.

The other thing I really like about this drama is that while they are not rescued by men, they certainly got a lot of help from men friends. As much as I love girl power, it is important to be reminded that there are a few good men out there. The ending is also realistic in that it shows us that nobody has everything and its ok. The plotting is diabolical and the twist at the end that leaves a lingering shiver of fear is the perfect final touch.

This is a very enjoyable 8.0 for me. Also a shout out to @Skibbies for the recommendation.

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The abyss looks into you.

Escape from the Trilateral Slopes 边水往事 is a thrilling survival adventure drama adapted from Shen Xingxing's autobiographical account of his year in The Golden Triangle. The Golden Triangle is a large mountainous terrain at the confluence of the Mekong and Ruak rivers and is comprised of northeastern Myanmar, northwestern Thailand and northern Laos, bordering Yunnan. Despite multiple coordinated crackdown efforts, The Golden Triangle has long been the world's largest drug producing area; initially of opium and subsequently synthetic drugs, especially methamphetamines. It is also a hot bed of related illegal activities from timbering to gambling and is a lawless place where local warlords control different territories and businesses. Names of places and people have been changed to protect the guilty so for the purposes of this drama, the Golden Triangle is Sanbianpo and the story opens in Monung, in the fictional Republic of Bomo. Meticulous research and attention to detail is evident in the world building, to the point of inventing local dialects and written languages. As impressive as this effort is, I would have preferred they staged it in the real respective Southeast Asian countries. However, unlike Hollywood, Chinese productions shy away excessively from portraying other countries and nationalities in an unflattering way. @Frost_edelweiss has meticulously documented this production and the setting in the discussion section for those interested in more details.

Shen Xing decides to skip college to join his uncle's construction company and shows up unannounced in Monung, to his uncle's dismay. He quickly discovers that Sanbianpo is no tropical paradise but a complicated, sunny place for shady people. To collect on bad debts, his uncle ventures into a conflict zone and disappears, leaving Shen Xing to hold the fort. Facing a liquidity crunch, Shen Xing borrows money from loan sharks at usurious rates to make payroll. Things snowball as desperate to find his uncle, he gets involved with counterfeiters and finds himself framed for murder. Before he knows it, he is a fugitive fleeing many different forces. He ends up indebted to Uncle Cai, a wheeler-dealer businessman who juggles the various competing forces in Sanbianpo. Thus Shen Xing becomes the patsy that Uncle Cai nonchalantly sends off on increasingly perilous missions. Before long, he is finds himself embroiled in all aspects of the Sanbianpo economy; sending provisions to drug dealers, smuggling gems, cattle farming; timbering, gambling; everything short of drug trafficking. That is Uncle Cai and his men's bottom line; the one they vowed not to cross. The story highlights how divisive the drug trade is; with some forced into it by poverty or conscription while others doggedly avoid it after losing loved ones to its trade or use.

I am pleased to see Guo Qilin step out of his comfort zone to take on this role of Shen Xing. And he delivers an acceptable portrayal overall but one that is lacking on several notable fronts. For starters, he doesn't look the part so it is a stretch to imagine he is hardy or athletic enough to survive numerous life endangering encounters. To make matters worse, it is absurd to pair him up romantically with a lanky actress like Qi Xi; even though she pulls off her role well, I cringed through that entire arc. He does a credible job humorously portraying the bewildered, naive young man who looks into the abyss and only manages to survive by sheer luck. His critical fail is in conveying what happens when the abyss looks into you. His character stays largely the same throughout and in moments of trauma, dumbfounded tends to be his default expression. This stands at sharp contrast with young actor Zhao Runnan's compelling portrayal of Guo Limin's shattering darkening and psychological downfall. What saves the day is there is fantastic rapport between the entire cast and Shen Xing's relationships with Uncle Cai, Dan Tuo, Wang Anquan, Lan Bo and even the hapless Justin seem authentic and moving enough to make me root for all of them. His enemies into besties relationship with Dan Tuo and how Dan Tuo silently looks out for him is one of the highlights of the story. Jiang Qilin is a fantastic actor and his Dan Tuo stole the show for me and is the unsung hero of the story. I also thoroughly enjoyed Jiang Qiming's hilarious portrayal of jack-of-all trades in the middle of all scams Wang Anquan as well. The villains are satisfyingly nasty and heinous; from the duplicitous Ang Tan to the viciously scary and hateful Mao Pan. While I wish they had cast a stronger character actor like a Liu Haoran as Shen Xing, the entire cast is so exceptional that their riveting portrayals paper over most of Guo Qilin's shortcomings.

The enigmatic, utterly ruthless and diabolically charismatic Uncle Cai is the lynchpin of this story. He is the most fascinating, multi-faceted character in the story. At surface, he is pragmatic, reasonable, an incredibly devout Buddhist and loyal to his wife's memory; a ruthless businessman when he needs to be but one with a bottom line. Thus he is not a villain for the sake of villainy but only when it serves his purpose; there is a utilitarian calculus involved in every action and decision. He doesn't hide who he is or what he is about but this is masked by his devoutness and humble persona and how he disarmingly switches between Cantonese, Mandarin and local dialects to best convey his sincerity. Only a highly skilled veteran actor like Francis Ng can deliver such a mesmerising portrayal. Like Shen Xing, Dan Tuo and his many followers, I was so dazzled, almost spellbound by his personal charisma that I didn't look too hard at his actions. He callously sends Shen Xing out on missions without full information but seems so wholeheartedly delighted that he survives time and again that I forget that he is the guy that tossed him in the frying pan and turned on the fire at the same time. Uncle Cai holds his cards close to the chest and never explains himself unless he has to. The drama respects audience intelligence and leaves it to the viewer to figure out how he manipulates situations and outcomes. This is a character that keeps you guessing until the end that can only be fully understood upon (multiple) rewatches.

The narrative builds to a shocking and thrilling climax and the ending is chilling and realistic. This drama has fantastic production values and movie like cinematography. It is riveting, thrilling and unpredictable from start to finish and sets a high bar future Chinese suspense and adventure thrillers. A must-watch that I am happy to rate 8.5/10.0. I knocked off 0.5 to be fair because as much as I like Guo Qilin, it is impossible to deny that the key role of Shen Xing is mis-cast. It is the dramas only real flaw.

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Only the good die young.

The second instalment of Sima Yi's story opens with his uncomfortable return to the capital to serve under the most unworthy Cao Rui, the ingrate he saved as a boy and put on the throne. Cao Rui grew up to be a monster and what he did to Empress Gao was a great historical injustice. The symbolism of Cao Rui being carried by Sima Yi is strong, suggesting their dynasty was held up by Sima Yi and most of this drama makes the case that the treacherous Cao family was unworthy and deserved to be toppled. I usually like Liu Han but did not enjoy how he portrayed Cao Rui. I was unmoved by his childhood trauma over being the product of an indifferent father who executed his mother and just drummed my fingers impatiently through his theatrics and unseemly antics with his vile eunuch. I did appreciate some aspects of his acting - he seemed cunning and slightly unhinged in the most dangerous of ways that made me feel fear for the Sima family.

The highlight of the second season is without doubt Sima Yi's rivalry with Zhuge Liang, the greatest strategist of Three Kingdoms lore. It was heart wrenching to see two soulmates with such profound mutual understanding, respect and admiration locked in a ferocious life and death battle. Both bound by oathes they swore to dead emperors, one is handicapped by a strong master and the other by a weak one. It was just war brutal and simple; there was no right, or wrong, or good or evil; just opposite sides. The writer does a commendable job making the sophisticated military strategies exciting and accessible to viewers. This version of Zhuge Liang's famous Empty City Ruse/Kōngchéngjì/ 空城计 suggests Sima Yi was not really fooled, he just had a very strong sense of self preservation. Their encounters capture the essence of a resting dragon/wò lóng/ 卧龙 reclaiming the central plains from a hidden tiger 冢虎 (zhǒng hǔ), a rising talent. Alas, time was not on Zhuge Liang's side or history may have been different. Nonetheless, his trick from the grave on Wuzhang Plains left no doubt in peoples minds that " a dead Zhuge scares away a living Zhongda". It is remarkable that till this day, Zhuge Liang is the most revered strategist of Three Kingdoms lore and it remains almost a footnote in history that Sima Yi actually "won" Three Kingdoms. This arc broke my heart; I couldn't bear how Sima Yi exhausted Zhuge Liang and how unworthy both their emperors were.

The narrative inevitably peaks at the Zhuge Liang arc; their battles were the pinnacle of Sima Yi's accomplishments. After that, the drama really dragged. It wasn't necessary to dive into so much detail into the Cao Shuang arc. We really didn't need another long and boring example of what imbeciles Cao Cao's descendants turned out to be. The arc was incredibly predictable with repetitive ploys to try to indict the much older Sima Yi only to see him deftly turn the tables on his enemies yet again. The only highlight of that arc was the wild speculation around Sima Zhao's role in the death of Sima Shi's wife's death but that sub-plot didn't get wrapped up in a satisfying way. The only thing that kept me watching was Tan Jianci and Xiao Shunyao's excellent portrayals of the Sima brothers. I also found it quite cool that they cast an actress to play the treacherous and effeminate He Yan.

After the Zhuge Liang arc, it struck me that even though I was fascinated by Sima Yi and often empathised with him, I just didn't liked him. I was not surprised that he became darker in his later years; this is foreshadowed from the beginning and was an insidious process throughout. The second half of this drama seemed to go on for an eternity. That ruthless, cowardly, cunning, wicked old tortoise Sima Yi just would not die! It offends my sense of justice that he lived to such a ripe old age. I guess it must be true that only the good die young.

This drama had at least 10-12 episodes too many. We really didn't need such a detailed the blow by blow of Sima Yi's much less interesting later years. Up to the Zhuge Liang arc, I rate this 8.0/8.5 but after that it's a 6.0/7.0 so overall this a 7.5 for me.

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The hunt for a serial killer.

Who is He is an intensely gripping police procedural that narrates the hunt for a serial killer that evaded justice for decades. It draws inspiration from two well known, real life cases - the 1988 Gansu serial killer case and the 1996 Nanjing University dismemberment case. These investigations were hampered by a lack of access to modern forensic technology, especially DNA evidence. The brutality and horror of these cases instilled national shock and outrage. For those following the heinous Abby Choi case in Hong Kong, the dismemberment case invokes chilling parallels.

During the hunt for a serial killer in 1988, Wei Guoping comes within a hairsbreadth of capturing him. In a close encounter, Guoping saves the intended victim Nie Xiaoyi but loses his partner. He has survivor's remorse and the case continues to cast a shadow over his existence long after it goes cold. Eight years later, he is convinced that the 1988 killer has resurfaced in the shocking Nanjing University dismemberment case.. His peers and superiors however are concerned that his rushed conclusion could steer the investigation down the wrong path. The drama dives into the inner workings of the department and how they collaborate and resolve internal conflict. It shows us that there are many ways to skin a cat and internal debate is healthy and produces a more rigorous process with defensible chain of evidence, and effective witness and suspect testimony.

This drama does a fantastic job zooming in on the procedural aspects of an investigation from the thankless, painstaking and smelly task of collecting and analyzing evidence to effective (and not so effective) methods of interviewing persons of interest. Without modern forensic technology, it is like looking for a needle in a haystack and can span decades. The show's meticulous attention to detail and commitment to vivid realism makes it stand out in the genre. The uncanny simillarity in the dumpster dive scenes to real footage from the recent Abby Choi case adds another layer of intrigue and sense of real life horror. There is an everpresent sense of urgency and suspense that is captured by highlighting the terror of the witnesses, survivors and the afflicted communities. The audience is also kept invested by dramatising the character aspects of the investigative teams and how unsolved cases can haunt key members of the investigative team.

The character writing and portrayals are among the drama's strongest aspects. Zhang Yi delivers yet another exceptional performance as a hard core detective single-mindedly focused on hunting down the 1988 killer. His Wei Guoping is a much less perfect character than An Xin (from The Knockout), which makes him more interesting and relatable. I loved how Gu Kaiyan calmly puts him in his place, asserts her authority and earns his grudging respect. The rapier-like way she breaks down and corners a suspect in interrogation is insanely awesome. Xu Fangyi steals the show with this riveting portrayal of a cooly logical and formidable female cop. The unique mixture of camaraderie, conflict and attraction between Wei Guoping, Song Zhe and Gu Kaiyan really made the team dynamics fun to watch.

Where the drama falters is in plot. This is somewhat unavoidable as the underlying cases are true crimes where major breakthroughs were only achieved with the help of DNA, which is ultimately anti-climatic. Maybe it would have been better if they went with something similar to Netflix's wildly successful serial killer docu-drama format rather than to try to dramatise it. The less interesting crime syndicate arc with the overused "forbidden" romance with a gangster's sister trope grew bigger than itself in the final third of the drama. Logic holes emerged and there were simply too many coincidences to force disparate cases to converge. The antagonists' motives in particular were contrived and in the Gansu case, deviates too markedly from the profile of the real serial killer. This may have been one of the reasons it was so harshly criticised by Chinese audiences. Because of well written protagonists and all around strong acting, I don't think this was that bad of a drama although it did not live up to its early promise. As a fan of the genre, I still enjoyed this well enough and rate it 7.5/10.0

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At a snail's pace.

Sometimes all you need to know about a drama is in the name - this one is aptly titled because it unfolds at a snail's pace. This is about a talented young criminal profiler Xuxu's quest to gain the approval and acceptance of her boss Ji Fai; who wants to boot her out of the department for flunking the physical fitness test.

The cases in this crime thriller drama are linked and have a personal connection to Ji Fai. While quite well written, the clues and conclusions are either obvious or they are not at all and unfold like a police procedural. A very slow paced police procedural. That simply doesn't work - if its gonna unfold slowly then it must be littered with enough clues that the viewer gets hooked into playing armchair detective. If its gonna be a police procedural, then its got to be fast paced and action oriented. This was the worst combination of both. I lost interest in the case after about 13 episodes but kept watching hoping (wrongly) for some romance.

It goes without saying that Wang Kai looked yummy in this drama and his acting was very good. I really enjoyed all of the fast moving action scenes he was in. But I just couldn't see the chemistry or romance. First of all, Wang Xiwen's Xuxu did not come across as a criminal profiling genius; just a rookie cop who thinks VERY SLOWLY. Watching someone think very slowly is VERY BORING. The character is also inconsistently written: someone supposedly so perceptive she can draw inferences from human nature not obvious to others but yet lacking in social skills and EQ??? Both characters wore such solemn expressions I started to hope they would just glower each other to death.

There are some good things about this drama that actually starts out quite well. The second ML and FL are quite adorable and really lift the mood and team dynamic. But it simply just wasn't enough. If you really want to watch Wang Kai, then you can consider this a 7.0 but if not, it really is a 6.5. Bottom line, if you are looking to be intrigued and thrilled, look elsewhere. If you need a sleeping aid, this is a total snooze fest.

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The curious case of Bambi in the headlights.

The short mini-series format is fantastic for mystery and intrigue. I have been meaning to explore this promising genre for while. I chose Day and Night due to its strong international reception. Although it delivered in terms of an intriguing plot and decent script, the overall execution was poor. It starts out as a mystery/suspense but ends up like just another cop drama.

The plot is built around former lead investigator Guan Hongfeng's secret mission to clear his fugitive twin brother Guan Hongyu, who was wrongly accused of brutally murdering an entire family. Hongfeng conceals Hongyu, who covers for him at night while he wrestles with his fear of the dark. That they are identical twins gives wide scope for multiple fun plot twists, something the writers took advantage of. Back at the crime investigation department, the twins alternate as Hongfeng to secretly try to solve Hongyu's case while assisting with ongoing investigations. There is only one conspiracy to uncover; all the other cases are presented as police procedurals so we only have to keep track of one set of clues for the one big whodunit. There were too many side cases - the drama ended up morphing into an action oriented police thriller with great high speed chases and fist slugging action. The one good, meaty suspenseful, whodunit conspiracy I was so looking forward to ended up taking a back seat. The many other excellent cop thrillers out there sets a high bar, relative to which this is at best a mediocre effort.

Where this drama crashed was with the uninspired acting by a B-list cast. The lead actor (Pan Yue Ming) only did a decent job playing twins - this is hard to do but it can be a fun, challenging role for a more versatile actor to shine in. He was good at conveying a barely discernible difference in mannerisms between each twin. But while his Hongyu was engaging as the more outgoing and charismatic twin, his portrayal of the introverted, cerebral Hongfeng fell far short. This character should have more intensity and quiet gravitas; an intellectually intimidating veteran detective with a giant secret instead of a lethargic, sleep deprived, monotonic and mostly expressionless character. Zhouxun (Wang Long Zheng), Hongfeng's ex-partner and successor as head of the department was well acted. He came across as a politically savvy, mercurial, cunning and suspicious friendemy of Hongfeng but tended to over-act, notably the temper tantrums. The critical casting error was Liang Yuan as Zhou Shutong, Hongfeng's rookie newbie mentee. This actress thinks rookie is synonymous with vacuous and that best describers both her performance and her favorite facial expression. This destroyed the chemistry of the entire cast - they couldn't interact with her nauseating deer in the headlights Bambi routine. Consequently, there was no convincing team dynamic between the cast. This rapport did eventually emerge and feel natural in the last 10 episodes, notably in scenes with no Shutong. Unfortunately Shutong got a lot of airtime as her role closely touched all of the lead characters. They should have just cut their losses by turning her into the victim of a serial killer.

The final episode was excellent, ending the show on a high note although only part of the conspiracy is revealed. There is no hard air date for the sequel and few details. Given the mediocre execution, I would not be surprised if it never eventuates. I am only mildly curious to find out what really happened so I won't be crying if it never happens. Overall this is an ok watch, it didn't live up to the hype for me although I will watch a few more in this genre.

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Heaven has no rage like love to hatred turned.

Let me come clean from the get go - this kind of drama is not my cup of tea. I watch dramas to escape, not to get embroiled in messy social themes around the aftermath of the disintegration of marriage and terminally sick children, But Left Right is written and shot by Hu Jin of The Bad Kids Fame, one of my favorite suspense dramas. I just love his visual composition style and how mercilessly his camera eye lays bare the multitude complexity of human emotions. And in that aspect, Left Right hits the ball out of the park and that is without doubt this drama's best feature.

The drama opens well with Fang Yinuo and Xiao Lu compatibly anticipating their first child with a mixture of happiness and small trepidation. They companionably joke about giving up spicy noodles, which Yinuo especially loves, for the duration of "their" pregnancy. Except Xiao Lu already wolfed down a bowl of spicy noodles before going home. Such a simple scene so brilliantly illustrates the manifold cracks in their relationship. She is overly controlling and demands that they suffer together. He is passive aggressive and rather than confront her, he goes around her. This dynamic is prevalent throughout their interactions. The dissolution of their marriage is inevitable and they both move on to become better partners in their next relationships. The drama peaks at that point and once the child gets sick, the narrative succumbs to melodramatic and increasingly unrealistic subplots with improbable twists and digresses into uninteresting and dislikable side characters. This would have been a much better drama with half the episodes. Towards the end all the excessive gouxue狗血(dog's blood) turned into goupi 狗屁(crap) to the point that I even stopped caring about the kid's fate.

This intense character drama with a melodramatic plot takes on too many heavy themes - the pressure of a newborn child, extended family conflicts, postpartum depression, the stigma of divorce, archaic child custody laws, inadequacies of the healthcare system, financial struggles, deadbeat dads and last but not least, women stripped down to their worst, meanest selves.

Ren Suxi's portrayal of Fang Yinuo is so evocative it pulls me into the scenes where I wrestle with the sweet temptation of punching her in the face. This woman is a nutcracker; there is no other way to put it. This cold fish with impossible standards is judgmental, selfish and unforgiving. She wallows in postpartum depression while enslaving her own mother and mother-in-law with her high standards and demands. But I have no sympathy when Yinuo lashes out at them because they are not likeable characters either. In fact, not likeable is the nicest way to describe practically all of the characters in this drama (besides the kid). Even though Yinuo meets her match in her new sister-in-law, I feel no sense of cosmic justice. By then my head hurt from the cacophony of high pitched, shrill and nasty bitching. Unyielding to the bitter end, Yinuo experiences very little growth and never quite owns up to her part in her failed marriage.

As for the men, beginning with Xiao Lu, they are all weak and useless characters. Xiao Lu is a people pleaser that lies to avoid conflict, which often exacerbates conflict. He enables his brother's weaknesses and his mother's vices because it is just too hard to fix them. Xiao Lu is as selfish as Yinuo in his own way and it is manifestly obvious that two such self absorbed people would never work out. They both become almost likeable when they are with other people but all too quickly it becomes obvious that Xie Tianhua and Dong Fan are so unrealistically written they'd be booted out of a Disney fairytale script. Nobody is that nice or understanding or tolerant. Tianhua in particular must be the doormat character of the century. Nie Yuan's acting in particular is clearly not on par with the rest of the main cast but I think the problem is poor character design more than anything else. Although Qin Hao's character is not as intense or as central as Ren Suxi's, I find his portrayal more believable and nuanced enough to make his Xiao Lu empathetic whereas Ren Suxi's portrayal is not empathetic to the bitter end. A small bit of humor could have humanised these characters and made them much more relatable. As for Su Jinwei and Lei Wen, their boring characterizations, uninspired portrayals and long winded filler sub-plots are the drama's weakest link.

This drama's message of atonement and redemption is drowned out by the deafening impression that heaven has no rage like love turned to hatred. In fact, just never piss off a woman. Whether she is your wife, your mother, your sister or your child, she will for sure make you suffer. Up to the point of Xiao Lu's mae culpa, the poor guy gets figuratively castrated by a vindictive, unforgiving woman that hates him to the bone even more than she loves her child. It made me so angry at Yinuo and angry at the drama for making me feel that way. Because in these matters, I am always, always biased towards the women. So how did I end up sympathizing with the men and not even caring about the child? I feel like I was tricked into watching a scorching indictment of women's worst traits. Despite this being such a technically and visually stunning and immersive production, this drama made me more angry than sad. I can only rate this 7.5/8.0

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Time after time.

Zhang Haifeng is a cop that will not rest even after he is caught in a deadly explosion with his daughter's alleged murderer. In a bizzare twist, time after time he has a close shave with death, he wakes up in the past but while each time the events, the people and their actions rhyme, they are not exactly the same. Yet gradually shadowy outlines of the truth emerge as he pulls at the different threads and uncovers hidden relationships and causality. The first ten episodes are full of suspense and the cat and mouse encounters between Haifeng and the antagonists brim with powerful undercurrents and inuendo. I was really hooked and this was the show I looked forward to and watched first. The encounters between Wang Qianyuan and Lu Han were superb - both actors really got it just right. Qiao Xin's subtly suggestive portrayal of Sun Xiaomeng also deserves special mention.

And then I watched a murder take place right in front of my eyes. It is unambiguous. The censors did it. They massacred the last two episodes of what could have been an awesome thriller. It is really hard to tell what really happened with this. In any whodunit, we need to know who, when, how and why. It is quite clear who and even why but the full motive is not revealed or is not convincing. The when and the how really depends on which version of three different accounts of the events as they played out actually took place. It doesn't really qualify as an interpretation ending because there are too many open questions no matter what you think actually happened. I have an idea of what I think most likely happened but I am left with a deeply dissatisfying and unfinished feeling. So watch this at your own risk. I rate the first 10 episodes 8.5/9.0 and the last 2 a 4.5/5.0 for a 7.0 overall.

There is a brief spoiler in the comment section of this review with what I think happened.

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Thief of hearts.

Five Kings of Thieves is a fast paced Republican period wuxia. Zhang Siye puts a mysterious artefact up for auction. This object is said to lead to the whereabouts of the first emperor's mythical cauldron. This draws many opposing interests out of the woodworks; including historic guardians of the treasure, the Five Elements Families. Revolutionary students determined to protect China's national treasures from Japan's Black Dragon Association also jump into the fray.

Huo Xiaoxie is just a scrappy orphan and the only treasure he is after is just some nice dim sum to celebrate his shifu's birthday. He sneaks into the Zhang mansion to steal some and bumps into Shui Yao'er, who is after a far more valuable object. They fight into love as they are caught up this high stakes treasure hunt with devastating and life changing consequences. Zheng Zedao a constable with an unknown agenda recognises his resourcefulness and bails him out of a few tight spots. As their enemies encircle them, this thief of hearts races to unlock his own hidden powers to secure the treasure and win the girl.

This is a low budget action packed adventure with many twists that weaves in many brave and colorful jianghu characters with their own side stories. I enjoyed both Ren Min and Darren Chen's slightly exaggerated acting and cute chemistry in this. Its a bit rushed at the end and I could see some of the twists coming early on but still enjoyed watching them play out. The slightly slapstick sequences and the look and feel of this entire production is nostalgic of the old HK TVB Republican era action adventures. Its quite campy and the editing is not the best but with only 12 episodes its a nice, quick watch. My rating 7.0/10.0

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It was a dark and starry night.

This movie opens with Hitchcockian flair as a man frantically begs indifferent local authorities on an exotic island getaway to find his missing wife. It was a dark and starry night the last time He Fei saw his wife Li Muzi. And his recollections seem fragmented, distorted by drugs and alcohol. The plot thickens as a seductive lady in red charmingly asserts she is his wife Li Muzi and can prove it. He Fei enlists Chen Mai, a high powered lawyer in a race against time to expose the imposter and find his wife. It is quite clear there is an elaborate grift at play but it is not clear who is pulling the strings.

Despite the strong and intriguing start, the plot reveals itself too early. The sense of mystery collapses abruptly as too many too obvious clues are dropped that point to a very predictable and done before whodunit plot. The drama's tone swiftly switches into dark comedy that ventures too far into the realm of the outlandish and absurd as the perpetrator is trapped into telling all. At that point it becomes a tragicomic story of addiction, deceit, greed, and revenge.

Zhu Yilong steals the show with his riveting portrayal of the many facets of He Fei. He made me feel scared, angry and sad. The high point in terms of tension, chemistry and suspense is the cat and mouse between He Fei and Janice Man's imposter. I could feel the air sizzle with between them as they taunt each other. Unfortunately even though Ni Ni's portrayal is on par with Zhu Yilong's in terms of charisma and nuance, there is simply no chemistry or tension of any sort between them. Their moments of confrontation and conflict are flawlessly executed on both parts but somehow there is no feeling of intense connection or conflict between them. This is not incompatible with their respective characters and what they are about but with no shade on either actor, I think this is just not a great pairing. I also find the supporting cast a bit lacking and think they should have minimized the use of English in the movie.

Despite its flaws, this is a highly entertaining movie. As a big suspense watcher, it falls short of my expectations in the latter half but I still enjoyed it well enough overall. This is China's 2023 summer hit that makes for a very fun watch. My rating 7/10.

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Lie like a dog.

This is a very solid police procedural about a female-led investigative team that employs polygraph technology to solve crimes. Haunted by a 12-year old and very personal cold case, Ling Ran is a workaholic truth seeker who is after justice for both the victims and the survivors of violent crimes. This is a very driven character that fuses her own instincts and observations with signals from the lie detector to sniff out and drill down on suspects who lie like a dog.

The cases are based on real life cases that occur when common human fallings collide with social pressure and a spate of bad luck. They are quite simple with straightforward with often predictable solutions and some plot holes. But they are curiously addictive nonetheless and this is what sets this otherwise unexceptional police procedural apart. While at surface it looks like Lie to Me, it is actually a lot more like CBS's Cold Case, one of my all time favorite crime series. The stories are dark and sad and they feel very real. The magic of the narrative is that it brings the victims back to life - they have secrets, hopes, dreams, strengths, weaknesses; they all love and are loved. Regardless of how ordinary and humble their existence is, they are missed and their loss is a devastating blow to someone. All but the last case moved me to tears.
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The team dynamics are well written, well portrayed and enjoyable but overshadowed by the victims' and their survivors' haunting stories. I think Mo Xiaojie and his connection with the homeless orphan stole the show and gave this character the kind of growth and dimension that is missing in team leader and titular truth seeker Ling Ran's characterization.

Ling Ran is scarred by a 12 year old cold serial case that makes her the way she is but unfortunately this is not explored until the final case. As such, I find aspects of Ling Ran perplexing and never quite connected with her. This ends the drama on a final case that just doesn't resonate as hard as the earlier cases. I would prefer they opened with the final case and ended with the first case. This would have better established Ling Ran's backstory and made her more understandable and relatable. The first case is also one of the best cases and the one with the least dark ending that asks the question whether one ought to lie to protect the innocent, which would be a fitting note to end this drama on.

I only rate this a 7.0 because it really isn't the best, most intriguing and thrilling crime series out there. But it is quite well made and there is a lot of heart in the cases that will touch you in a lingering way so it is definitely worth watching.

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Saved by the long haired devil in Prada.

This is one of those dramas with many, many flaws but somehow still manages to be so very enjoyable to watch that it commands higher ratings than it deserves. It is also one where for me, a secondary lead playing a dark character completely steals the show and wins my heart.

This is the story of Hua Qiangu (Zhao Liyang), a cursed orphan who has a tendency to attract demons. She is rescued from angry and fearful villagers by a powerful immortal Bai Zihua (Wallace Huo) who after many trials, reluctantly accepts her as his disciple. Of course they can't help falling in love but if the master disciple relationship is not obstacle enough, she is also fated to be his calamity and it is his duty to suppress the demon goddess within her by killing her. They come regularly in conflict with factions of the Demon Sect, who are out to steal a number of magical artifacts that when put together unleashes the demon forces. When her master Bai Zihua is mortally injured, Hua Qian Gu goes on a quest to recover all of the artifacts regardless of the consequences. This is a result of the machinations of a mysterious antagonist that results in a good surprise plot- twist.

As a couple Qiangu and Zihua would have worked better if Wallace Huo had not appeared to be icy-faced practically all of the time. He is a good enough actor that he must have just been a bit lazy in this role. As a result, his Bai Zihua came dangerously close to crossing the line of being cruel and indifferent to Hua Qiangu. I was still rooting for them as a couple but there were many moments where he really angered me. This made Hua Qiangu seem a bit silly for being so devoted to such a cold fish when she was surrounded by so many other more worthy suitors. Huo's rather flat performance left the door open for the secondary leads to steal the show and indeed they did. Andy Zhang was really very convincing as Dong Fang but it is Kyle Ma's Sha Qian Mo that shocked and awed.

I would probably have given this show a 7 or 7.5 without Ma's Sha Qian Mo. He was equally compelling as the fearsome and deadly Demon Lord as he was as Hua Qiangu's tender and protective Sha Jiejie. He is a total fashion diva that embraces his feminine side, pulls off these colorful, exotic and unambiguously female outfits and hilariously exchanges beauty tips with Qiangu. He would sadly advice her not to love her callous sifu so much despite sagely knowing she wouldn't be able to help herself. This was one of the characters from the show that really resonated with me and saved the drama. I'd like to see this actor again in some better roles!

The overall story-line is very interesting it moves at a nice pace for the most part and then at the end the story gets garbled, a bit confusing and then it ends abruptly. It is as if they ran out of time or something. This is really absurd because they wasted hours and hours on this super annoying, whiny CGI caterpillar character that turns into a noisy, talkative and thoroughly irritating girl. The directors and scriptwriters really deserve to be spanked for wasting time they did not have on this now hopefully unemployed actress. This could have and should have been a much better show. Still while rushed, the ending was not as terrible as some have described as the two leads did manage to click well in the finale. Its is still overall enjoyable and worth watching.

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A song of fire and ice.

This drama feels like an angsty adolescent modern romance that was dressed up in historical costume and wrapped up in a few wuxia tropes. Some of the ideas and characters are quite fresh but ultimately it is weighed down by cliches and an insipid plot. 

Chong Xuezhi (Chen Yuqi), the young mistress of the Flame Hall seeks to restore the reputation of her sect and atone for her father's atrocities after going berserk from improper cultivation of the Lotus God Nine Stance Technique. Behind vocal condemnation, the other sects covet this technique and scheme to acquire the manuscripts by fair means or foul. They are manipulated by a mysterious antagonist who aims to bring the sects under their control or eliminate them. The playboy master of Moon Valley Shangguan Tou (Luo Yunxi) is tasked to protect the naive young Xuezhi and along the way, they fall in love. Perhaps not the most original plot but decent enough that with proper execution could have be an entertaining wuxia romance. 

I have a soft spot for flawed rakish characters like Shangguan Tou, who is not your typical c-drama male lead. I had to turn up the air-con at the intensely flirtatious, almost seductive way he heatedly eyes and teases Xuezhi in the beginning. But this is one complicated dude - he blows hot and cold as he has commitment issues due to an unhappy childhood and unresolved issues with his father. He loves to engage in long winded and repetitive introspective conversations but doesn't communicate or listen to good advice. That just leads to endless rounds of pointless talking. Sigh! In the end, I found this character frustrating - just too high maintenance, emotional, headstrong and uncompromising. That said, Luo Yunxi's breathtaking ability to wear his heart on his face kept me going through the draggy parts.

Although naive in the beginning, Xuezhi is a stronger, more straightforward character - she is proud and dignified when Tou rejects her, she gets on with her life and is generally a good decision maker. She seems weak in the end because Tou is so adamant that everything has to be his way. It is actually Tou who is too distracted to stay one step ahead of the enemy and makes emotional and cliche noble idiot decisions. It cracks me up when even the loyal Wuming questions his judgement. While clearly Yunxi is the stronger and more nuanced actor (and so devastatingly handsome), both roles were well acted and the OTP has good chemistry. It is not their fault that their interactions are so frustratingly written. Their characters are also very young and written to be extremely immature and inexperienced with relationships despite their authoritative positions. This is a challenge because visually both leads are well past their teen/young adult years. 

The drama starts strongly but quickly loses momentum. The main problem is the romance between Tou and Xuexi advances too quickly and is so consuming that the rest of the external plot is repeatedly tossed into limbo while the OTP (internal plot) jumps through a bunch of romance cliches - he's dying, he's not ready, love triangles galore, silly misunderstandings, she's dying... to the point I kept wishing one or better yet, both of them would jump off a cliff. Their fated affinity or yuan fen (缘分) must not be that good because every time they get together, one ends up at death's door! Their moods are also out of sync - one blows hot while the other blows cold. It is a real question whether this is a couple that lasts.

The relationship arcs are such big digressions that by the time we get on with the conspiracy, the story picks up but never regains the lost momentum. The rest unfolds rather hastily and deals with interesting characters including Muyuan and Qingmei more cursorily than they deserve. It is a shame because there were many good characters in this drama but once they serve their purpose, they are killed off with impunity. Along the way, the plot morphs into a political conspiracy rather than a wuxia and the only bombastic thing about the so called legendary martial art technique is its name. The main antagonist's motivators are not compelling and that actor shamelessly knocks off Chen Kun's Ning Yi mannerisms. The actor does not have the right face for some of the more dramatic expressions and just ends up looking like a bizarre and creepy clown. The external arc ending is not satisfactory and in my opinion, justice is not served. 

All things considered, if you fast forward through the middle bits, this wasn't that bad - there are some moving scenes, generally good acting and a fabulous looking OTP. But in hindsight, the fire and ice theme of the drama is a dead giveaway; when you add ice to fire all you get is a bunch of hot air that evaporates into nothing of substance. 

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Princess Weiyoung is like comfort food - tried and true but pushes all the right buttons.

This was truly a very enjoyable drama from start to finish - I was pleasantly surprised by how it managed to captivate me. The underlying plot itself is not special - it is a revenge drama about a Liang princess whose family was executed after being framed for rebellion against the Wei kingdom by the Prime Minister's wife's powerful Chiyun family. She assumes another identity (Weiyoung) and infiltrates the Prime Minister's household as his second daughter of lower birth to a common mother. It has some clear parallels to Nirvana in Fire but the main protagonist is a clever young woman and her "revenge" is more reactive as opposed to proactive and calculated. Another difference is there is a big romantic element, it is more light hearted, fast moving and less complex. However, this is nowhere near on the same level and maybe it captivated me because my expectations were not high.

The casting in this show was superb - literally all of the characters good and evil did a remarkable job with their roles. The two main leads are a real life couple and the chemistry between them is undeniable and heart warming. The male lead plays a powerful young Wei prince who is so enamored with Weiyoung that he is willing to give up his kingdom and his life for her. I think of the two, Luo Jin (Taoba Jun) is the better, more charismatic and versatile actor. Tiffany Tang's Weiyoung was clever, resilient and completely adorable but her performance was undeniably aided by the overall strength of the supporting cast. There were quite a few villains in the show - ones that you will love to hate (Prime Minister's wife and her nephew); ones that were so ineptly evil you had to laugh at them (Prime Minister's eldest son and daughter); and the more complex, ultimately pitiful ones that had some good in them (the Nan-an Prince and his lover). The Prime Minister's wife has the most evil villain eyebrow movement I have ever seen outside of a cartoon. And you will learn how evil and hate can take the form of such a lovely and innocent face. I found myself moved to pity for some of the villains even thought they satisfyingly got their just deserts, which speaks to the layered complexity of the characters. There are two charming supporting couples whose story lines did not deviate much from the main plot and did not go on excessively. Finally the show kept to a bare minimum the childish, petulant and immature female role stereotype that ruins many otherwise good shows.

Without giving anything away, there were some good twists in the story that sees friends turn into foes. I did think that there was excessive plotting against Weiyoung and maybe one or two of those plots could have been eliminated. Nonetheless due to the strength of the cast, any repetitiveness it was barely noticeable because everyone was such a pleasure to watch. Objectively speaking the plot isn't that original but it has all the elements of a true crowd pleaser: it moves fast, it will make you laugh it will make you cry; it will make you love, it will make you hate and it will surprise you a few times.

[KIND OF SPOILER BUT NOT REALLY A SPOILER ALERT]


One of the best things about Chinese drama is that a happy ending is not a foregone conclusion. Hollywood still doesn't get it - when its a foregone conclusion that it ends happily ever after everything becomes predictable and forgettable. This one will keep you guessing and hoping to the bittersweet end and maybe that is one of the reasons why it lingers with you.

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