A Beautiful Mess

I'm not gonna lie, writing this review wasn't easy. I had to carefully organize my thoughts because I didn't know where to start. Fangs of Fortune is one of those dramas that either made me gasp because of how beautifully made it is or drove me nuts because of the all-over-the-place plot and contrived writing. It's highly divisive precisely because of that. It's either the fantastical world and its characters endear themselves to you or you hate everything about it with a vengeance. I am right smack in the middle, though. I can't hate it but I can't say I loved it either. I feel that if they had stuck with their bromance plot from the get-go and not added in romance, it would've been better. Or if they had changed it completely and just turned it into a romance drama, reducing the second male lead's importance in the plot by writing out the Ying Long and Bingyi subplot, this could've been better too. One thing is for sure, this drama will forever be engraved in my mind as one of the most stunningly filmed work that made giggle like a schoolgirl and obsess over the characters for days on end.

The story centers around a 34,000-year-old great demon named Zhu Yan (or Zhao Yuanzhou) and how his fate changes those of people closest to him. Like most xianxia and xuanhuan dramas, it's set in a world where demons and humans exist and racism is rampant. The demons are seen as inherently evil, while humans are supposed to be the so-called good guys. But nothing in this world is purely black and white and so both races are portrayed to be capable of doing both good and evil. The struggles and conflicts stem from such xenophobic thinking from both sides.

Zhu Yan was born as a vessel of malicious energy, meaning he absorbs all the excess malice that exists in the world to keep things balanced. But his gentle and kind nature makes him resent this. Even more so when he finds himself falling in love with humanity and the mortal world. This very fascination for mortals draws a wedge between him and his best friend, Li Lun, who has no love for mankind. Their falling out leads to a lot of strife and suffering for those around them.

The story itself is nothing new. As I've said, this has been done countless times before. But what makes this drama compelling for me was how particular dialogues were written and scenes were executed whenever the subject was about discrimination and racism. Oddly enough, my favorite parts of this drama is when characters sit down and just have meaningful conversations about life and such. And I'm such a sucker for the found-family trope that it really resonated with me. It blew my mind how provocative some of the dialogues are and how much depth the drama has when many of the scenes felt like they were hastily and lazily written and things were getting retconned left and right. Writing isn't this drama's strong suit, but there are some gems here and there. And I noticed that the ones that are written and executed well are those that involve the two male leads, Zhu Yan and Zhuo Yichen, and the anti-hero, Li Lun. Most of the major plot ploints involve the three of them. They even end up fighting in the final boss fight together. What does that tell you? If this were a true romantic story, it would've been the main couple fighting together.

Unfortunately, this was marketed as a romance with a female lead that is criminally underdeveloped and a subplot centering around her that is as mindboggling as her addition to this story. Don't get me wrong, I don't dislike Wen Xiao or the actress who portrays her. My issue is with her seemingly lack of value to the story unlike the other main characters. First of all, the concept behind the Baize goddess is already iffy to me. Why is there a need for a mortal woman to be given the powers of a goddess to regulate demons and monitor their comings and goings to the mortal world when the goddess herself could've done that? Being human herself, there is a possibility of racial discrimination with her favoring the mortals over demons even when it's the mortals that are at fault. The real goddess would've been a more just judge and a more powerful one to boot, someone who can actually deal with demons and not fall ill from a plague or die pointlessly after being accidentally hit by a sharp object. The function and powers of this mortal goddess are not clearly defined, and if I'm honest, I would say that they keep retconning things to fit the narrative they want to tell. How the next generation of Baize goddesses are chosen is unclear as well. Why was Wen Xiao chosen anyway? Yes, she has compassion for both demons and mortals, but then I'm pretty sure she's not the only one who feels that way, so why her?

And apart from her, all the major characters in this story, especially among the 6 members of the Demon Hunting Team, only her story doesn't quite connect with Zhu Yan's. Zhu Yan's fate directly or indirectly affects the fates of Zhuo Yichen, Pei Sijing, Bai Ju, and even Ying Lei. All of them reach this point in their lives because of Zhu Yan. Zhuo Yichen was only the second son and was not even meant to inherit the Cloud Light Sword but because Zhu Yan slaughters his family, he becomes the lord of the Bingyi clan and the most powerful wielder of that sword for generations. Pei Sijing loses her brother because of Zhu Yan's feud with Li Lun. Bai Ju loses his mother and vows to become an accomplished doctor because Zhu Yan causes a rift in the balance between the mortal world and the Wilderness. Ying Lei is afforded the chance to pursue his dreams of becoming a chef in the mortal world because his grandfather (and Zhu Yan's mentor) feels that it's important to give his grandson the choice that Zhu Yan never had. Even Li Lun becoming a full-blown villain and wreaking havoc is caused by his misunderstanding with Zhu Yan. Wen Xiao, on the other hand, is chosen to be the next goddess for reasons I still don't quite understand. Her fate is more tied with this drama's big bad. The quest to finding the Baize token, it being broken, her fixing it, and it poisoning her are nothing more than plot devices. You take those out and you would still be left with a solid plot that could've been better if they had focused more on Zhu Yan and his relationships.

I've said this before, this is a BL/bromance drama in disguise. This was never meant to be a romance. But for fear of the project getting shelved because of China's proverbial censorship axe, they felt the need to write in a female lead and pretend that there's actual romance. I don't mind slowburn romances, but when the drama ends without even a single kiss between the couple with their sweet moments few and far and between, that's not romance, at least not in terms of C-drama standards. The fans of the main CP can delude themselves all they want, but I firmly believe that Wen Xiao was not supposed to be part of this story at first and the romance is an add-on, like an extra side dish for good measure. Hence, the major events in this drama involve the male leads, and the last story arc and most important part of the series is all about them and their bond. Yes, it's unfair and I blame the writers for this. But let's be honest, there's no way in hell that this drama would've seen the light of day if they hadn't included a hetero romance side story with all the obvious BL elements they added into this. If you're familiar with BL/danmei, you'll see the tropes and signs. If not, then you'll probably just dismiss them as healthy male friendship. I'm pretty sure they cut some scenes down to minimize the “bromance” because I saw some behind-the-scenes photos of the male cast acting out scenes that aren't included in the finished product. If they had just done a purely romance drama, they wouldn't have this problem either. But they can't seem to decide which direction to pursue and so what we got is a beautiful mess of a drama that had the potential to be truly amazing and unforgettable.

Nothing beats this drama in terms of visuals, though. From the first episode, I was absolutely taken by how the sets, costumes, and cinematography looked. The opening fight sequence was so stylistically done that it made me want to watch more. Guo Jingming may be a lot of things, probably a real piece of work in real life, but damn, he knows how to make a stunningly crafted scene from the meticulously curated backdrop to every movement of the actors. I have never seen such a visual feast in a C-drama quite like this! I appreciate how this drama tries to be different and I seriously want to see more dramas like this. Sadly, I don't think this style of filming appeals much to Chinese viewers. I think it would've been better received by international audiences.

The cast, for lack of a better word, is great. I have no complaints about the actors. They did what they could with the material that they were given, and some even went over and beyond. I never expected to become so attached to this ragtag crew of demon hunters, but I did. I sorely miss them, especially the comedic moments in the earlier episodes.

Music-wise, this drama boasts of some of the most memorable songs in a C-drama to date, at least for me. I find the choice of songs very refreshing. I don't hear this kind of music in many C-dramas. My only complaint is the music plays a little too loudly during dialogue-heavy scenes. Whoever edited the sound must've been deaf. Like dude, we can't hear them talk! Turn it down a notch, will you?! It must've driven Mandarin-speakers crazy.

The overall production value of this drama is top notch. I think they used a led screen for the backgrounds which actually looks better on screen and most likely helped a lot with the acting too. The visual effects are some of the best I've seen in a C-drama. The costumes and makeup are so on point as well. None of it looks cheap. If I didn't know better, I'd say this was an S+ level drama.

As a whole, this is an entertaining drama that wowed me with its stunning visuals, elicited emotions I never thought I'd feel watching an idol drama such as this, and left me wondering why I became so emotionally attached to characters that don't exist despite the flaws in the writing. That's why I'm giving it an 8 and that's a generous rating coming from me.

Leia Mais

The Superhero Series We Deserve

Moving is the K-drama and slightly better version of Heroes in terms of writing and characterization. In fact, it is the superhero series we deserve and one that Marvel and DC wish they had concocted themselves. It's one of the best written K-dramas ever made, that's for sure! It boasts of a riveting plot, relatable characters, and visceral action scenes that are downright brutal and reminiscent of Oldboy.

It centers around two generations of people born with superhuman abilities. The plot thickens when agents from opposing organizations start hunting down the previous generation of these “gifted” humans and eliminating them one by one. As the story progresses, the secrets and political conspiracies and machinations of those in charge are uncovered, revealing a plot so sinister that goes all the way to the top.

What I like most about this drama is how the characters were written. None of them are insignificant to the plot, each of them play a part in the story and they're all given their day in the sun no matter how small their roles are. Even the villains are humanized, making them more sympathetic and relatable. Come to think of it, there are no real bad guys in this drama. Each of them are given clear motivations so although you may disagree with their choices, you learn to understand them when you put yourselves in their shoes. And of course, the fact that actors were superbly cast to play these characters contributes to their overall appeal.

The production quality of this series is something that I wish to see in all K-dramas. The production team didn't build a “fantastical” world filled with designer-brand-obsessed people, annoying and laughable product placements, and meticulously curated fancy sets that defy logic and realism to create the illusion of luxury and wealth even when the characters are supposed to be poor. This K-drama formula has always bothered me and turned me off, so whenever I find dramas such as this, I thank my lucky stars because they are few and far between. The world of Moving has none of those, it is gritty and grounded despite the fact that the drama is a fantasy. It shows you the good, the bad, and the ugly side of humanity and the imperfect world they live in.

As I've said, all the characters are great. None of them are wasted. None are mere fodder. But I just have to mention Lee Mihyun, Kim Bongseok's mother. She is the epitome of a great female character. She's badass and highly intelligent and she makes smart use of her powers. But she's also undeniably flawed and vulnerable. She's no Mary Sue. She gets hurt, she miscalculates, she makes the wrong decisions. She's a loving and concerned mother who would die for her son and she's also a wife who's longing for her husband. She's proof that you can write a tough and uncompromising female character without giving her masculine qualities and taking away her femininity. Pay attention, Hollywood! This is how you write a true girl boss!

I seriously can't heap enough praises for this series. I would've given it a perfect 10 if I didn't feel like some parts dragged a bit and wish that they could've written certain episodes differently. Also, I found some of the powers kinda dull and repetitive. But that's just me. That is totally subjective so take it with a grain of salt. If you still haven't seen this drama, go watch it now. I recommend it to anyone who enjoys a well-written story. If you're a fan of the superhero genre, this is a must-watch.

Leia Mais

The Most Daring Costume BL Drama China Has To Offer

Needless to say, I really really really liked Word of Honor, and it's probably the best BL drama (including the Japanese and Thai series) I've seen thus far. Among the C-dramas I've seen, it definitely has one of the highest rewatchability percentages because I actually wanted to rewatch it the moment I finished it! I loved it so much that I felt compelled to read the book version written by the popular danmei author, Priest. But despite my obvious bias, I cannot ignore the fact that it is not a perfect series.

The positives:
This series has the best male leads in any BL drama I've seen, period! They are utterly perfect! Some would most likely disagree, but for me, their onscreen chemistry is so palpable I can taste it! Hahahaha. Don't get me wrong, I do not ship the actors, I don't do that sort of thing, but their portrayals of Zhou Zishu and Wen Kexing are undeniably spot on. I feel that they really understood what they needed to do to bring these characters to life and just had a blast doing it. I was so shocked to see so much touchy-feely scenes and the sexual innuendos in the dialogues are so blatantly obvious that even if you were as pure as Mama Mary herself, you wouldn't be able to brush them aside and just say, “Oh, they must be really close.” But for someone like me whose brain is practically living in the gutter, I almost choked on my own saliva from laughing so hard and giggling like a maniac. I'm surprised they were able to escape the proverbial axe of China's censorship board. I am still wondering how they were able to make it work. But BL stuff aside, I found these two characters incredibly interesting. Both have questionable morals and tragic pasts, and they go through redemption arcs. I love that most of the characters in this series are gray and they could go either way. I was sometimes confused whether to despise or sympathize with particular characters because of it.

Zhang Zhehan as Zhou Zishu is captivatingly gorgeous. I have to admit, there were times when I would just stare at him and not understand what was going on. Hahahaha. But he brings a certain depth to the character that I didn't expect. You'd think he's just another pretty face, but the subtlety of his micro-expressions effectively convey the self-loathing, guilt, sadness, and remorse of Zhou Zishu. As the founder and leader of a massive private army of assassins and spies working for an ambitious Prince, he projects a cold and ruthless front. But the weight of that responsibility and the guilt of working for a megalomaniac bears down on him, so he chooses the most brutal of means to buy his own freedom. He starts out as a more stoic character but slowly becomes more playful and even cheeky as the series goes on, especially when he meets Wen Kexing and Cheng Ling.

Wen Kexing is played by Gong Jun, who is also frustratingly attractive I kept screaming at him to stop being so cute. Hahahaha! Wen Kexing is the leader of a notorious group of criminals who are so terrible and repulsive that society no longer sees them as humans but ghosts or devils. He, too, has a painful past that drove him into the deepest pits of hell and made him obsessed with revenge. Gong Jun plays him to a tee, animatedly displaying Wen Kexing's flamboyance and flirtiness, but also showing his more sinister, volatile, and melancholic side. And his interactions with Zhehan's Zhou Zishu are some of the most touching and humorous moments in the series.

Apart from the main actors, I would also like to mention, Zhou Ye, and her character, Gu Xiang. I gotta hand it to her for making me initially annoyed at her silliness, but eventually loving her character that I cried because of her and her suffering.

As for the plot, I suppose I could sum it up to a power struggle between warmongers and ambitious politicians all racing to find a vault that is supposely filled with all the ancient martial arts secrets known to man. Knowledge is power, after all. But it's actually more than that. In fact, it appealed to me more than some of the C-dramas I've seen because it reminded me so much of the kung fu films I saw as a kid. It just has that same vibe to it.

The fight choreography is one of the best I've seen in any wuxia film or series. It's so poetically beautiful that I almost forgot how bad the CGI could be sometimes and that some of the backdrops didn't quite suit the scenes. But for a wuxia drama that only had half of the budget of The Untamed, I'd say they did remarkably well with what they got.

The musical score is surprisingly good, too. I don't normally like musical scores in C-dramas as they don't usually stand out to me. But I actually liked the soundtrack almost as much as I liked the soundtrack of Mysterious Lotus Casebook.

The negatives:
First off, this drama was supposedly made with just 50 million RMB, which was considered cheap for an epic costume drama. So suffice to say, the production value of this drama is nothing to write home about. There are parts when the CGI is just plain awful and the sets are obviously reused again and again. Not to mention, the costumes and props look plasticky and inexpensive. I don't think it will hinder people from enjoying the drama, though. It certainly didn't take me out of it.

Second, the editing is a little clunky, inhibiting the smooth transition between scenes and affecting the pacing. But I guess it's because they had to cut down the number of episodes due to budget restraints and move the plot around to fit the planned scenes. I thought the last few episodes were rushed and would've benefitted from more episodes to flesh things out better.

And last, the fact that the supporting characters are mostly morally ambiguous, as perfectly imperfect as they are, they are unlikable to say the least. Aside from Ye Baiyi, I couldn't bring myself to really care about the others. Even though I found Qianqiao's misguided love for the wrong man heartbreaking, I can't say I cared about her enough to empathize with her. And that has something to do with the writing, I think. And probably with the acting as well.

Overall, this series led me down a rabbit hole for weeks on end. I couldn't make myself watch anything else and that doesn't happen to me very often. It was a very entertaining 36-episode ride!

Leia Mais

The best wuxia drama I've seen thus far!

Mysterious Lotus Casebook is hands down one of my favorite Chinese dramas to date. Though it is not perfect by any means and it doesn't have the most satisfying ending, it didn't leave me frustrated or disappointed unlike another C-drama that would've been without flaw if not for its horrid ending. In fact, it leaves you hungering for more with its open ending that may or may not lead to a second season. Despite the fact that it is a solid detective story dripping with political intrigue, mysticism, and evil schemes for world domination, the true driving force of this series is its characters. It boasts of well-written characters that each have their own story arcs and go through significant character development as the plot progresses.

Cheng Yi plays somewhat of a dual role, the young and brash, Li Xiangyi, who basks in the glory of his achievements in the martial arts world, and Li Lianhua, the reclusive wandering physician with a sharp tongue and an even sharper wit. I love how he contrasts these two characters, showing how much the ambitious and arrogant Xiangyi has changed over the years and become the more mature and grounded Lianhua, who is content in lazing about with the company of his dog and growing vegetables in his garden. I love love this snarky bastard! 😍

Zeng Shunxi is Fang Duobing, the young and impressionable son of a noble man who grew up idolizing Li Xiangyi. He also undergoes a major change as the series goes on, from a bratty rich kid to a young man worthy of becoming Xiangyi's successor. Xiao Shunyao plays Di Feisheng. He starts out as an anti-hero but soon proves to be one of the most compelling characters in the series. His friendly rivalry with Li Xiangyi or Li Lianhua is quite possibly one of the best bromance dynamics I've seen in any drama. While he is the typical stoic “tsundere” character, his interactions with the other two protagonists are the funniest moments in the whole series. And damn, he's such a striking figure, an absolute badass!

The villains are absolutely despicable! You will never find an ounce of sympathy to spare for these hateful people. But they are not exactly your cookie cutter type of villains since their motivations aren't solely rooted in the fact that they are evil. The supporting characters are also engaging albeit some of them are not as memorable as the others. But perhaps the one character that really struck me was Yun Biqiu. His story of remorse and redemption is truly touching.

The writing could've been better, though. There are parts in this series that left me scratching my head, trying to find logic in them. Some seem too contrived, convenient, and coincidental that I had to suspend my disbelief more than a few times in order to enjoy this series. I wish they could've been more precise in the writing department, but since it is a fantasy drama, I figured I could just chalk it up to mystical arts.

As for the production value, they didn't skimp on the set designs, costumes, and cinematography although there are some scenes that looked iffy to me. I suppose I could attribute that to bad CGI due to lack of budget. The fight scenes are spectacular, though. Most costume C-dramas don't play around with their fight choreography, but this drama, in my opinion, has some of the most convincing fight sequences and the main actors really look like martial artists. I give the stunt coordinators and fight choreographers (apart from the actors of course) the credit for that.

All in all, this was an enjoyable 40-episode drama that I don't regret watching and would probably watch again if I can't find another series to obsess on, or when I miss Li Lianhua. But for now, I'm saying goodbye to my old friends, Lianhua, Fei, and Duobing. Yes, they're my friends now!

Leia Mais

A beautiful and poignant live action adaptation of a beloved manga/anime series

Hikaru No Go was one my favorite anime and manga series from the early 2000's. It became so hugely popular that it spawned a newfound interest in Go, drawing many new players to the sport - me included (although I was never very good at it). But for some reason, the Japanese entertainment industry never felt the need to make a live action adaptation despite its massive fandom. It wouldn't be until almost 20 years later since the manga's inception when a C-drama adaptation of the series would be released. It's called Qi Hun in China, but it retained its original title for its international release. I didn't have the chance to watch it when it was initially shown because I didn't have subscriptions to Chinese streaming sites at that time. But recently, I remembered that I still haven't seen it and found it on iQIYI thankfully. As a fan of the source material, I went into this with a lot of skepticism because live action adaptations, more often than not, do not give justice to the original, so I didn't think they could pull it off. But color me surprised, they did and they did so with flying colors! I fell in love with the drama from the get-go. I could tell from the first few episodes that this was created by people who loved the manga and this was a love letter to the timeless work written and drawn by Hotta Yumi and Obata Takeshi. Yes, the setting, names, looks of the characters, and language are different, but they preserved the soul of the manga. It felt like Hikaru No Go through and through, not some cash-grabbing poor imitation of the original.

It follows the story of an unsuspecting young boy (Shi Guang/Hikaru) who stumbles upon an ancient Go board that is haunted by the ghost of a Go prodigy (Chu Ying/Sai) who met a tragic fate and has been waiting for more than a thousand years to obtain his redemption. Together they set out to find the “Divine Move”, something that most masters of the sport dream of finding. As the story progresses, Shi Guang grows to love the sport and Chu Ying starts to mentor him, teaching him everything he knows and molding him to become one of the finest players the sport has ever seen. The bond that they share is one of the focal points of the story and this drama gives justice to that. Their relationship is wholesome, touching, and heart-wrenching. Chu Ying isn't just Shi Guang's mentor but also his father figure and most avid cheerleader. They are thick as thieves! I cried buckets because of them.

Chu Ying is definitely the best character in this drama just like Sai in the anime/manga. He is such a pure soul and the perfect teacher. He's patient but strict. He encourages but he doesn't push too hard. He doesn't become envious of Shi Guang's growth and talent, but he feels proud instead. He knows that Shi Guang is his legacy and the only proof that he ever existed. Another thing that this drama got right is the rivalry between Shi Guang and Yu Liang (Akira). One of the highlights of this series is Shi Guang and Yu Liang's intense rivalry that develops into a beautiful friendship. Their tacit understanding of one another makes them a compelling pair. They may hate each other's guts sometimes, but they want the other to succeed and feel terrible when the other fails. Yu Liang is the complete opposite of Shi Guang and yet it is he who understands him best apart from Chu Ying.

Shi Guang's other relationships are equally heartwarming, from his supportive grandfather and high school friends to his comrades from his Go club who would do anything for him. It made me think that he is indeed fortunate to have friends like these. Hong He is one of my favorites among his friends, he is such a good guy and I found myself rooting for him. His love-hate relationship with Gu Yu is also interesting. I cried when Gu Yu confronted him and told him how much he envied and admired him at the same time. His teachers from his Go club are also very endearing as well as the nameless monks in Lan Yin temple and the construction guys who gave Shi Guang and the boys a hand. I also learned to love Yu Liang's senior, the arrogant playboy, Fang Xu. His character development is one of the things that I liked about this drama. I couldn't even dislike that spoiled brat who prides himself as the best player in their Go club because at the end, he becomes a little more mature and accepts defeat. I love every character in this drama except that braggart, Mu Qing Chun. He's a real piece of work! Hahaha!

The screenwriters did a marvelous job at adapting the source material, something I really didn't expect. The dialogues are so on point and there are many quotable quotes, especially from Chu Ying. The emotional beats and tense-filled scenes are so well-executed that I felt nervous whenever they played matches. I love that this is not just about Go but also about life, growing up, love, and loss. I cried so much watching this drama. Yes, they made changes, but I actually have no complaints, especially with the way they ended it. Truth be told, the manga ends abruptly with no real resolution or closure that many people felt disappointed. So the fact that they ended it the way they did made it better.

The music is also well-suited to the series. The makers of the drama even went out of their way to do a Chinese remake of the iconic theme from the anime that was originally written by Kids Alive. There are tons of easter eggs and callbacks to the manga and anime that if you're a fan, you will definitely be able to identify them.

I cannot heap enough praises for this drama and I cannot recommend it enough. If you're a fan of the anime/manga, this is a must-see! But if you're new to Go or the IP, it is also a wonderful coming of age story filled with ups and downs, wins and losses. It's not perfect, for sure, but I give it a 10 out of 10 because it is the kind of drama that I would want to rewatch again and again, and I became so attached to the characters that I felt that they're already a part of me. I was so immersed in this world that I'm very reluctant to leave it behind. I thank the makers of this drama from the writers, director, producers to the cast and staff, you made me laugh, cry, and feel good about myself. This drama truly deserves the only perfect 10-rating that I have ever given a C-drama thus far.

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