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I had to do a double-take when I watched the first few episodes. I thought it was Cheng Yi playing Xiao Se until I realized it wasn’t. (I don’t check the actor list before watching a drama). Anyway, though Cheng Yi remains a favorite, Li Hong Yi deserves praise for his portrayal for the cheeky and cunning Xiao Se, who is as removed from the Marial Arts world he used to dominate, as he is much embroiled with it because of his real identity.
Also, upping up their games are Liu Xue Yi as Wu Xin and Li Xin Ze as Tang Lian. I’ve seen both of them mostly in support roles, and I finally got to see them shining in their major roles. Not to be outdone, Ao Rui Peng easily portrays the happy-go-lucky Wu Jie, whose naivete is endearing. As for the two other female characters, unfortunately, I find them a little lacklustre. I do not know if it’s intentional or not, but these female characters seemed weaker than their male counterparts, and I am unsure if it’s due to the acting or the writing. Since Ruo Yi had a backstory of being a sickly child, it’s understandable that her martial arts prowess wasn’t as advanced as the others. But for a supposedly skilled fighter such as Si Kong Qian Luo, I am not sure why production forced a love line on her with Xiao Se, when there’s none to be found. They look more like a pair of siblings than a romantic couple. I don’t understand why production forced a love line on Si Kong Qian Luo and Xiao Se when there is no chemistry between them. Removing it would not impact the plot.
The rest of the characters were multi-dimensional and well-portrayed. There’s an abundance of personalities to keep the side-quests intriguing. The main plot itself is rich and intricate, without being too convoluted. I enjoyed the backstories, especially those of the martial art masters and immortal deities who predated the younger generation.
Speaking of the young ones, I admire the camaraderie among the group, especially the unusual bond between Xiao Se and Wu Xin. They are total opposites of each other, in terms of personality, upbringing and identity, and yet they are very in tune with each other’s thoughts and motivation. They may disagree sometimes, but they have the utmost respect for each other. Also along their journey, the team built a bond of trust where they can rely on each other to do their own parts. And it is their journey that I found entertaining, and it’s all kudos to the scriptwriters and the production crew. Also to be commended are the expertly choreographed fights, the carefully-thought-out strategies, the intricate costumes made by the production company.
Overall, this is such a great watch, even if they didn’t incorporate romantic elements. It was so hard for me to even decide where to put this in my top 20 list as China has been producing a lot of amazing Wuxia/Xanxia in the last five years but this one is certainly in my top 5 Historical Chinese dramas (as of this writing).
Also, upping up their games are Liu Xue Yi as Wu Xin and Li Xin Ze as Tang Lian. I’ve seen both of them mostly in support roles, and I finally got to see them shining in their major roles. Not to be outdone, Ao Rui Peng easily portrays the happy-go-lucky Wu Jie, whose naivete is endearing. As for the two other female characters, unfortunately, I find them a little lacklustre. I do not know if it’s intentional or not, but these female characters seemed weaker than their male counterparts, and I am unsure if it’s due to the acting or the writing. Since Ruo Yi had a backstory of being a sickly child, it’s understandable that her martial arts prowess wasn’t as advanced as the others. But for a supposedly skilled fighter such as Si Kong Qian Luo, I am not sure why production forced a love line on her with Xiao Se, when there’s none to be found. They look more like a pair of siblings than a romantic couple. I don’t understand why production forced a love line on Si Kong Qian Luo and Xiao Se when there is no chemistry between them. Removing it would not impact the plot.
The rest of the characters were multi-dimensional and well-portrayed. There’s an abundance of personalities to keep the side-quests intriguing. The main plot itself is rich and intricate, without being too convoluted. I enjoyed the backstories, especially those of the martial art masters and immortal deities who predated the younger generation.
Speaking of the young ones, I admire the camaraderie among the group, especially the unusual bond between Xiao Se and Wu Xin. They are total opposites of each other, in terms of personality, upbringing and identity, and yet they are very in tune with each other’s thoughts and motivation. They may disagree sometimes, but they have the utmost respect for each other. Also along their journey, the team built a bond of trust where they can rely on each other to do their own parts. And it is their journey that I found entertaining, and it’s all kudos to the scriptwriters and the production crew. Also to be commended are the expertly choreographed fights, the carefully-thought-out strategies, the intricate costumes made by the production company.
Overall, this is such a great watch, even if they didn’t incorporate romantic elements. It was so hard for me to even decide where to put this in my top 20 list as China has been producing a lot of amazing Wuxia/Xanxia in the last five years but this one is certainly in my top 5 Historical Chinese dramas (as of this writing).
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