Glitters
Dubai, UAE
JOINING HAE JO IN THE FINAL DRIFT OF HIS LIFE
The day we are born, our date of departure is also decided. Death is something we all know is inevitable, yet we're never truly prepared to face it. Without giving away too many spoilers, this is the first time I've seen a story where, instead of seeking a cure, the protagonist opts to do some last-minute homework. Out of the blue, he decides to find his father (a sperm donor), convinced that his disease was inherited from him—despite never considering that his mother could have been the carrier.
Anyway, moving on, he ends up kidnapping his ex to accompany him on his adventure. Why? Because she's dealing with premature menopause, and somehow he decides to take her along. Logic? Don’t ask me. Maybe he just wanted to try his last shots at fertilizing her fallopian tubes before his time runs out—who knows?
Yet, despite all this absurdity, the story is surprisingly captivating. It made me laugh like crazy and cry like hell.
What I liked best:
1. Actors: The cast is incredible—seasoned artists, many of whom have been in the industry for decades.
2. Character depth: The leads, in particular (and everyone else, in general), have their own backstories that genuinely make you feel connected to and sympathetic towards them. For instance, the second lead, who has always been timid around his mother, undergoes significant character development. By the end, he transforms into a confident person unafraid to speak his mind.
3. Plot: The storyline is focused and concise, with no unnecessary detours. In fact, such narratives don't have room for conspiracy theories or melodramatic suspense.
4. Realistic ending: The male lead doesn’t survive. It’s tragic but also very realistic. Writers can pen countless miracles, but we know that in real life, such situations rarely end in a fairy tale.
In terms of the music, it was decent—perhaps not entirely to my taste, but it wasn't bad either.
I'm genuinely glad that Korean writers are experimenting with their typical storytelling tropes. We're moving away from the heavy makeup and designer outfits to something more raw, with imperfect backgrounds. Even the actors are expanding their range, taking on roles that go beyond merely being eye candy.
However, the re-watch value is zero. No matter how good it was, I wouldn’t recommend sticking to this gloomy story a second time.
Anyway, moving on, he ends up kidnapping his ex to accompany him on his adventure. Why? Because she's dealing with premature menopause, and somehow he decides to take her along. Logic? Don’t ask me. Maybe he just wanted to try his last shots at fertilizing her fallopian tubes before his time runs out—who knows?
Yet, despite all this absurdity, the story is surprisingly captivating. It made me laugh like crazy and cry like hell.
What I liked best:
1. Actors: The cast is incredible—seasoned artists, many of whom have been in the industry for decades.
2. Character depth: The leads, in particular (and everyone else, in general), have their own backstories that genuinely make you feel connected to and sympathetic towards them. For instance, the second lead, who has always been timid around his mother, undergoes significant character development. By the end, he transforms into a confident person unafraid to speak his mind.
3. Plot: The storyline is focused and concise, with no unnecessary detours. In fact, such narratives don't have room for conspiracy theories or melodramatic suspense.
4. Realistic ending: The male lead doesn’t survive. It’s tragic but also very realistic. Writers can pen countless miracles, but we know that in real life, such situations rarely end in a fairy tale.
In terms of the music, it was decent—perhaps not entirely to my taste, but it wasn't bad either.
I'm genuinely glad that Korean writers are experimenting with their typical storytelling tropes. We're moving away from the heavy makeup and designer outfits to something more raw, with imperfect backgrounds. Even the actors are expanding their range, taking on roles that go beyond merely being eye candy.
However, the re-watch value is zero. No matter how good it was, I wouldn’t recommend sticking to this gloomy story a second time.
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